{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":186,"pdf_page":206,"physical_index":206,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"91263f1c4309de86d47b736cd57c1361b70456b188e8a05dbf623e4c97d25677"},"chapter":"非人：漫谈时间","content":"——您相信在把这些病人变成艺术作品或者艺术家时能拯救她们吗?(而且以无论艺术遭受怎样的扭曲为代价!)\n\n——他们坚持着。他们想要她们说点什么，一场原始的场景，一次催眠，一次幻觉，对观看她们的人所进行的阉割，不可能的爱，在成为人的过程中表演。但是如果她们有心灵，这并不在于她们坚持——甚至错误地—一个讨论的谈话主题，而是在于与诺姐1一起嘀咕-尖叫：\n\n啊，我如同肌肉一样清晰。啊，埃莉诺在画我。\n\nOh I'm as clear as a muscle. Oh Eleanor PAINT me.²\n\n照片不再支持学者的论据，它悬置了辩证法（一个瞬间），它是脱链的鲜活的绘画。如果可以的话请你抓住我。然而，这132要么将发生，要么已经发生（太早或太晚）。一个音（一个调里的音)可以在调的连续之外被抓住吗？歇斯底里症可能不仅仅是一种疾病，更是关于时间的一次本体论尝试。或者更确切地说:那事因这事而起。照片揭示它，因为照片是一种观看的歇斯底里症，如同一种控制手段。\n\n186\n\n非人：漫谈时间\n\n1 诺妲(Rhoda)是福尔曼创作的本体论-歇斯底里剧《诺妲在土豆国》(RhodainPotatoland)里的主角。——译者注\n\n2 理查德·福尔曼，《痛苦(绘画)》(Pain(t)，1974)，版本同前，第205页。","previous_page":null,"next_page":null}