{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":230,"pdf_page":250,"physical_index":250,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"a616eac3f0b4252afd7b1f440074efa65c08fe64d8d289c75d4a5903b70e8ed8"},"chapter":"非人：漫谈时间","content":"我让学识更加渊博的学者劳心来描述和解释这些限制、对它们的追问、对它们的改变。一切就像作曲家的任务就是对以音乐之名赋予他们的东西进行回溯(anamnèse)。也许就像声音，通过他们的研究和发现，透过永远鲜活的音乐过往而进行它自己的回溯。古典的、巴洛克的和现代的乐器强加的音色，通过节拍和对位法调控的音长和节奏，由调式和音阶规定的音高，强度：这些通过学校和音乐学院传承下来的调控，看起来并不一定就过时了，远非如此，但肯定的是也并非是必要的。它们的分析呈现了一种基本的质料，即空气的振动，这种呈现是通过这种基本质料各个可分析的组成部分本身达成的，比如频率、振幅、音长，以及一些更加精细的组成部分，颜色、起音(attack)。这样，声音上的艺术考量与听觉上的、物理上的和心理一生理上的研究汇聚在一起。这种引力为当代音乐与上述新兴技术的结合做了准备。唯有一个投入这项回溯任务中的音乐精灵，才能在事后把涵养他的各种音乐习惯视为限制，同时这些习惯仍旧保持原样，对于他而言它们是一些在声音宇宙里实现和享受其才能的方法。\n\n230\n\n/非人：漫谈时间","previous_page":229,"next_page":231}