{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":236,"pdf_page":256,"physical_index":256,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"6aa825e95949f3db6ca104c849f2842c11869345c51bcd69ba270aa729413c3f"},"chapter":"非人：漫谈时间","content":"一种不可听。\n\n今天新的音乐器材有了一个巨大发展，它达到甚至可以超越可听性的界限。(《文集》，p.144)\n\n由此，必然地出现了“内在耳朵”的概念。这种“内在性”，已经在讨论节奏时被提及，它与我前面以听从之名宣告的东西有关。\n\n我们发现一些更有趣的东西需要听诊(ausculter):音色的问题或者作品形式的问题。另外还有形式与音色的关系。简单说一下这点。塞尚说过:当颜色达到完美时形式就完成了。如此，他就抛弃了古典原则或者偏见，即把形式（由素描构建形式）与物质(接着在描好的图形上填上颜色）对立起来，且前者优于后者。颜料差不多必须支配“它自身”。它不接受形式。它制造形式。决定颜色的价值无需概念(甚至是主导概念)的组织。美——如果我还敢用这个术语——得自这种没有目的的自动目的性。这是与形式生成（morphpgenèse）的学术研究联系在一起的问题。瓦雷兹就声音颜色—音色—做了一个相似的观察：\n\n这样一个一个获取的音色以及它们的组合都是声音混合的必要成分—它们为各个不同的层次和空间染色，并对其进行区分——而且远不是偶然的产物，它们与形式是\n\n236\n\n非人：漫谈时间","previous_page":null,"next_page":null}