{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":246,"pdf_page":266,"physical_index":266,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"8c9f3e84e05e809e96ddcd63b5f3ddca5cf52bab9169b6e07a3508cb459a7494"},"chapter":"非人：漫谈时间","content":"当我说我是偶然遇到斯威登堡的文本，我有点说谎。我曾  \n受到贾钦多·切尔西的一个评注的引导，这个评注摘自一篇  \n名为“夜观”(Le regard de la nuit)的短文，而这篇短文本身  \n又摘自他的著作《声音与音乐》(Son et musique)。(《夜观》:  \n斯威登堡的话:“拥有能看见内在听觉的人都属于[听从?  \n(gehören?)]耳朵的内在。”这就是夜之观，倾听的眼睛。)这个评注是这样的：\n\n对，真的还有另一种带着先验特征的音乐，它逃脱了一切组织分析：如同它逃脱了一切人类理解。某些优先的存在者听得见可以被形容为是“在这个世界之外”的声音、旋律或者和声，另外同样地，属于这个层面的颜色也是如此。在各个圣徒身上有着极多的故事，由此产生了整个文学以及肖像学；音乐家天使带着小号、里拉琴(lyre)或者长笛：斯威登堡或者雅各布·波墨（Jacob Boehm)讲述的关于他们听到的或者有时不同地区的整片人群听到的神奇音乐的故事[……]。（《休止符》，I，1985，p.84)\n\n246\n\n/非人：漫谈时间\n\n1贾钦多，切尔西(Giacinto Scelsi，1905—1988)，意大利作曲家和诗人，“单一音”技法是他的首创，特点是以“单一音符”的微分音化为主，并在各种从属支架结构中层层铺展开来，代表作有《女神/为小提琴独奏与18 件乐器》(ANAHIT/pour violon solo et 18instruments，1965)等。——译者注","previous_page":null,"next_page":247}