{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":248,"pdf_page":268,"physical_index":268,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"ffda4031db2ef6f5f02481278490b6ece52678a1ed1ce77c9d9fdd1fc0a36196"},"chapter":"非人：漫谈时间","content":"我就此打住，尽管一切都有待说清楚，因为这一点点水不停地到来、赶来(accourir)，或者更确切地说是从天而降(occourir)1。我本想从其能量的角度来着手思考有关音乐新兴技术的问题，而且这是必要的。因为音乐新兴技术，在某种意义上，只是信息—电子—能量的转换器，它被转换为机械能量，在这里就是被转换为空气和鼓膜的振动，又被重新转换为神经冲动。严谨的思考要求:这种冲动不要竭尽所能地去重新激活身体机械。关于音乐的研究，弗朗索瓦·拜勒2尖锐地指出了这一点：\n\n最终，问题在于被排除的身体（注意：身体被排除在场域之外，但是仍然在场而且因其缺席而有更多的在场：事实上，身体在边缘，无处不在，重新被遇见)。（《前-立场》[Pro-positions]，《休止符》,I,p.103)\n\n正是以这种代价，以这种禁欲为代价，Tonkunst可以让杰里科的墙倒塌，这些墙就是我们身体之墙，是经习俗流传下来的身体需求之墙，以及身体奔向临近满足的匆忙之墙。\n\n248\n\n/非人：漫谈时间\n\n1 “occourir”这个单词是利奥塔发明的，是occurrence和accourir的结合体。——译者注\n\n2 弗朗索瓦·拜勒(François Bayle，1932—)，法国作曲家，纯声音乐(musiqueacousmatique)的创始人，1960年加入音乐研究小组(Groupe de recherches musicales),1966—1997年是该组织的负责人。——译者注","previous_page":247,"next_page":249}