{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":29,"pdf_page":49,"physical_index":49,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"16b3ba41b92ef3214cf18b38a9cb95d186ecd795c29518ce3161e6e8b6f6a373"},"chapter":"非人：漫谈时间","content":"你们将会发现，这里还是需要通过身体经验，求助于身体苦行的范例，来理解和使人理解为了精神能够思考而将精神变成一张白纸。这显然与剃刀2无关，与笛卡尔(徒劳地)自称的那种东西无关3，与认知思想从零开始也无关，可它却只能自相矛盾地—从零重新开始。在被我们称为思想的东西里，精神不是被“领导”，而是被悬置。我们并不给它立什么规则，而是教它去迎接。我们并不是为了建设什么而清理出更空旷的场地，而是排出一个空地(clairière)，快要被给予的、半明半暗的事物可以进入空地而且这个空地将改变事物的轮廓。这项工作的例子—如果做必要的变通——就是弗洛伊德所说的穿刺工作(Durcharbeitung)1。在那里大家看得很清楚（我并不坚持这一点）工作中的思想要付出怎样的痛苦。这种思想与象征之间被调整的组合没有很大关系。然而，当组合寻找和等待其规则时，它可以与思想有很大关系。\n\n如果思想可以摆脱身体\n\n29\n\n1 海因里希·冯·克莱斯特(Heinrich von Kleist,1777—1811)，德国诗人、戏剧家和小说家，作品有《O侯爵夫人》、《破瓮记》等。他在《木偶戏剧》(Sur le théâtre de marionettes)里提出了“恩赐”(grâce)的概念(利奥塔在后面《上帝与木偶》一文里还会谈到这个问题),恩赐，有两个对等物:毫无意识(即物质)和无限意识(即上帝),二者相伴相随,就像木偶的恩赐来自它对操作者既服从又不服从。对于克莱斯特，书写就像木偶跳舞，只是一种转瞬即逝的痕迹。——译者注\n\n2 指奥卡姆剃刀。——译者注\n\n3 这里应该指的是笛卡尔在《形而上学沉思录》第一章中使用的置疑法。——译者注","previous_page":28,"next_page":30}