{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"d3ee5fbb-1124-4191-99e1-3139801e0da2","title":"Time The Modern and Postmodern Experience","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"d3ee5fbb-1124-4191-99e1-3139801e0da2","id":"d3ee5fbb-1124-4191-99e1-3139801e0da2","uuid":"d3ee5fbb-1124-4191-99e1-3139801e0da2","title":"Time The Modern and Postmodern Experience","normalized_title":"timethemodernandpostmodernexperience","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":178,"navigation_url":"https://workshop.closeclaw.top/ai/book/d3ee5fbb-1124-4191-99e1-3139801e0da2","title_url":"https://workshop.closeclaw.top/ai/title/Time%20The%20Modern%20and%20Postmodern%20Experience","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/d3ee5fbb-1124-4191-99e1-3139801e0da2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/d3ee5fbb-1124-4191-99e1-3139801e0da2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/d3ee5fbb-1124-4191-99e1-3139801e0da2","page_url":"https://workshop.closeclaw.top/api/ai/books/d3ee5fbb-1124-4191-99e1-3139801e0da2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/d3ee5fbb-1124-4191-99e1-3139801e0da2/search"},"page":{"printed_page":25,"pdf_page":25,"physical_index":25,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f86adddd8e43c4ca0ce5e705dd1f26b390cd160799812149187967b378667d54"},"chapter":"An Embarrassment of Proper Times:","content":"Historians of technology have described in detail how the first modern technologies overcoming space and time, the telegraph and telephone, radio, but also the cinema, just like the railways before them, did not merely help to reduce geographical distances but conveyed the feeling that social barriers could also be overcome. At the turn of the century, the hierarchical structures of the nobility, but also those of the bourgeois world, had begun to totter. The potential for change, the susceptibility of existing power structures to a levelling' technology, was strikingly illustrated by the possibility of disrespectfully crossing bounds of protocol which lay within the capacity of the technological media. It was not by chance that telephones were not admitted to the Imperial Palace in Vienna, typewriters were regarded with mistrust, and electric light was reserved for the streets and the citizens, for they equally threatened a social hierarchy in its fine distinctions, which were also spatially and temporally coordinated.10 It was obvious that waiting periods could be reduced by the telephone, and that many a ministerial art of processing files would soon become superfluous. For the visionaries of the approaching democracy, it was a question of reducing not just political power distinctions, but cultural ones as well. The cinema, celebrated as the democratic medium per se, made it possible from now on to bring the enjoyment of art and culture, indeed simple entertainment, out of the exclusive court theatres and out of the bourgeois cultural sphere, and to make them available to everybody for little money. It was a period which did not yet suspect what dimensions the saturation with mass media would assume, and that television would literally come to every tin hut. Finally, means of transport, from the railways via the bicycle to the motor-car, opened up free spaces for a society which has since made individual mobility one of its central values. Yet it was something more than this. In retrospect, it was not just that geographical and social spaces opened up, but it was as if society had succumbed to an intoxication with space and time.\n\nThe Illusion of Simultaneity\n\n25","previous_page":24,"next_page":26}