{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"d3ee5fbb-1124-4191-99e1-3139801e0da2","title":"Time The Modern and Postmodern Experience","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"d3ee5fbb-1124-4191-99e1-3139801e0da2","id":"d3ee5fbb-1124-4191-99e1-3139801e0da2","uuid":"d3ee5fbb-1124-4191-99e1-3139801e0da2","title":"Time The Modern and Postmodern Experience","normalized_title":"timethemodernandpostmodernexperience","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":178,"navigation_url":"https://workshop.closeclaw.top/ai/book/d3ee5fbb-1124-4191-99e1-3139801e0da2","title_url":"https://workshop.closeclaw.top/ai/title/Time%20The%20Modern%20and%20Postmodern%20Experience","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/d3ee5fbb-1124-4191-99e1-3139801e0da2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/d3ee5fbb-1124-4191-99e1-3139801e0da2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/d3ee5fbb-1124-4191-99e1-3139801e0da2","page_url":"https://workshop.closeclaw.top/api/ai/books/d3ee5fbb-1124-4191-99e1-3139801e0da2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/d3ee5fbb-1124-4191-99e1-3139801e0da2/search"},"page":{"printed_page":29,"pdf_page":29,"physical_index":29,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"b63bb04cce210078ea20c456fcd80f232da9852e9f135d78e4912e474e05a671"},"chapter":"An Embarrassment of Proper Times:","content":"But there is not only joy and jubilation about the new simultaneity. The social repercussions of the new information technologies are at the centre of heated public debates, which spark off questions of property rights and public control, economic concentration and the protection of citizens against unauthorized linking of data gathered about them. Above all, however, the unemployment figures in the industrial nations and the assumed causal nexus with the job-destroying' potential of the new technology cast a shadow over the elation. The restraint of state monopolies over institutions of communication and information, and questions of what kind of infrastructure, pricing policy, consumer and data protection to invest in, are merely a few main features of an area of politics which has grown in a subtly diversified way, and the existence of which the advocates of poésie simultanée would never have thought possible. The initially celebrated experience of privateness as a legitimate part of a publicly recognized simultaneity has turned into real nightmares of the vulnerability of the private sphere, which has to take refuge from the excess of what is technologically possible in new basic rights and other protective legislation. The variety introduced into the daily routine of steady habits by the first radio programmes and the incipient leisure industry has given way to a surplus of aims and styles of leisure. Despite a reduction of the working week, the journeys to work and journey times are getting longer, and the social costs of any kind of mobility higher. Despite being incomparably better equipped with mechanical household appliances, women still do more housework than men, and they are left with less work-free time in the almost constant ratio of 1:3.13 Increased standards of cleanliness, longer journey times, even to take children to school or to their leisure activities, dealing with authorities and other public institutions, and finally holiday stress and all the unfinished things which have become the paraphernalia of the modern individual permanently suffering from lack of time, no longer admit the sense of leisure. Simultaneity has everyone under control. Spans of attention have been scientifically investigated and are used for the efficient structuring of commercials on television. What passes over the screen in colourful succession is a parody of simultaneity: the events which are shown follow the rules of dramatic portrayal by a medium. They have little to do with the social reality from which they have been detached. Whether they are fiction or are to be seen from the point of view of simultaneity has become largely irrelevant to the observer.\n\nThe Illusion of Simultaneity\n\n29","previous_page":28,"next_page":30}