{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"d6c14ac7-04dd-43ff-b8c8-f495a729ff0a","title":"哈贝马斯作品集 交往行为理论 第一卷 行为合理性与社会合理化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208153547","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"d6c14ac7-04dd-43ff-b8c8-f495a729ff0a","id":"d6c14ac7-04dd-43ff-b8c8-f495a729ff0a","uuid":"d6c14ac7-04dd-43ff-b8c8-f495a729ff0a","title":"哈贝马斯作品集 交往行为理论 第一卷 行为合理性与社会合理化","normalized_title":"哈贝马斯作品集交往行为理论第一卷行为合理性与社会合理化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208153547","isbns":["9787208153547"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":560,"navigation_url":"https://workshop.closeclaw.top/ai/book/d6c14ac7-04dd-43ff-b8c8-f495a729ff0a","title_url":"https://workshop.closeclaw.top/ai/title/%E5%93%88%E8%B4%9D%E9%A9%AC%E6%96%AF%E4%BD%9C%E5%93%81%E9%9B%86%20%E4%BA%A4%E5%BE%80%E8%A1%8C%E4%B8%BA%E7%90%86%E8%AE%BA%20%E7%AC%AC%E4%B8%80%E5%8D%B7%20%E8%A1%8C%E4%B8%BA%E5%90%88%E7%90%86%E6%80%A7%E4%B8%8E%E7%A4%BE%E4%BC%9A%E5%90%88%E7%90%86%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/d6c14ac7-04dd-43ff-b8c8-f495a729ff0a/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/d6c14ac7-04dd-43ff-b8c8-f495a729ff0a/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/d6c14ac7-04dd-43ff-b8c8-f495a729ff0a","page_url":"https://workshop.closeclaw.top/api/ai/books/d6c14ac7-04dd-43ff-b8c8-f495a729ff0a/page","search_url":"https://workshop.closeclaw.top/api/ai/books/d6c14ac7-04dd-43ff-b8c8-f495a729ff0a/search"},"page":{"printed_page":120,"pdf_page":126,"physical_index":126,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"293e780dd15770d0e4a7eefaff98f79dee748d8de30381bd86eceae7ea1928c8"},"chapter":"交往行为理论","content":"(c）戏剧行为：行为者一主观世界和客观世界（包括社会对象)\n\n较之于目的行为概念和规范行为概念，戏剧行为概念在社会科学文献中的地位并不突出。1956年，戈夫曼在其关于“日常自我表现”(Selbstdarstellung im Alltag)的研究著作中第一次明确地把戏剧行为概念引入社会科学领域。 148\n\n就戏剧行为而言，我们把社会互动看作是一场遭遇(Begegnung)，在遭遇过程中，参与者构成了透明的公众，并且相互展示。“遭遇”(Encounter）和“展示”(Performance）是一对核心概念。一方在第三者面前展示只是一种特殊情况。展示的目的在于，行为者在观众面前用一定的方式把自己表现出来；由于行为者把他的主体性部分地表现了出来，因此，他希望在一定意义上能得到观众的关注和接受。\n\n120\n\n交往行为理论(第一卷)","previous_page":119,"next_page":121}