{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"d6c14ac7-04dd-43ff-b8c8-f495a729ff0a","title":"哈贝马斯作品集 交往行为理论 第一卷 行为合理性与社会合理化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208153547","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"d6c14ac7-04dd-43ff-b8c8-f495a729ff0a","id":"d6c14ac7-04dd-43ff-b8c8-f495a729ff0a","uuid":"d6c14ac7-04dd-43ff-b8c8-f495a729ff0a","title":"哈贝马斯作品集 交往行为理论 第一卷 行为合理性与社会合理化","normalized_title":"哈贝马斯作品集交往行为理论第一卷行为合理性与社会合理化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208153547","isbns":["9787208153547"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":560,"navigation_url":"https://workshop.closeclaw.top/ai/book/d6c14ac7-04dd-43ff-b8c8-f495a729ff0a","title_url":"https://workshop.closeclaw.top/ai/title/%E5%93%88%E8%B4%9D%E9%A9%AC%E6%96%AF%E4%BD%9C%E5%93%81%E9%9B%86%20%E4%BA%A4%E5%BE%80%E8%A1%8C%E4%B8%BA%E7%90%86%E8%AE%BA%20%E7%AC%AC%E4%B8%80%E5%8D%B7%20%E8%A1%8C%E4%B8%BA%E5%90%88%E7%90%86%E6%80%A7%E4%B8%8E%E7%A4%BE%E4%BC%9A%E5%90%88%E7%90%86%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/d6c14ac7-04dd-43ff-b8c8-f495a729ff0a/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/d6c14ac7-04dd-43ff-b8c8-f495a729ff0a/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/d6c14ac7-04dd-43ff-b8c8-f495a729ff0a","page_url":"https://workshop.closeclaw.top/api/ai/books/d6c14ac7-04dd-43ff-b8c8-f495a729ff0a/page","search_url":"https://workshop.closeclaw.top/api/ai/books/d6c14ac7-04dd-43ff-b8c8-f495a729ff0a/search"},"page":{"printed_page":213,"pdf_page":219,"physical_index":219,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"185b0d66d62af88a9062c23c0fda0f2b9a7bc5ce15d8fd36defeb5ae811cf181"},"chapter":"交往行为理论","content":"毫无疑问，历史材料以及对这些材料的把握（技巧）的确在不断地进步；绘画透视法以及音乐对位法的发现，都是最好的例证。此外，不可否认的是，进步的确按照预先设定的程序在缓缓展开，而且是在朝着精致化方向展开；比如从早期的通奏低音到现代音乐的和声意识，以及从印象派到点彩画派的过渡等。但是，这些进步不管多么明显，都还不是艺术本质的进步。从乔托、西马比到弗朗切斯卡，他们在绘画手法上的进步只不过是消除了盲目性；由此断定，弗朗切斯卡的绘画比阿西西的壁画要胜出一筹，实属卖弄学问。 32\n\n韦伯或许会认为，合理化涉及的是价值实现的技术，而不是价值本身。\n\n尽管如此，艺术的自律还是意味着审美价值领域自身规律的解放。有了艺术的自律，艺术才有可能合理化，对待内在自然的经验才有可能被开发出来。所谓对待内在自然的经验，就是对于获得解放的主体的日常认识规范和行为规范的解释和表现。韦伯以一些波希米亚的艺术团体为例，根据与现代艺术发展密切相关的生活方式考察了这一趋势。韦伯认为，结果应当就是两性之间爱的“超凡领域”得到了有意识的维护，并独立和凸显了出来。两性之间的爱是一种“情欲”，有可能发展成“带有纵欲色彩的陶醉”或“病态的狂热”。\n\n二、马克斯·韦伯的合理化理论\n\n213","previous_page":212,"next_page":214}