{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8","title":"数字社会学","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208177284","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8","id":"dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8","uuid":"dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8","title":"数字社会学","normalized_title":"数字社会学","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208177284","isbns":["9787208177284"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":298,"navigation_url":"https://workshop.closeclaw.top/ai/book/dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8","title_url":"https://workshop.closeclaw.top/ai/title/%E6%95%B0%E5%AD%97%E7%A4%BE%E4%BC%9A%E5%AD%A6","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8","page_url":"https://workshop.closeclaw.top/api/ai/books/dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8/page","search_url":"https://workshop.closeclaw.top/api/ai/books/dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8/search"},"page":{"printed_page":59,"pdf_page":79,"physical_index":79,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"b8022113a8b3766aabfef5425794b5eb943db80b538213eed0560047cb5e62ee"},"chapter":"第三章 数字时代研究的再概念化 42","content":"数字人类学家已经开始努力应对这些复杂性，并能够为其他社会研究者提供有用的见解。例如，莎拉·平克(Pink，2009）发展了“民族志场地”(ethnographic place）概念，意指它不一定仅仅是一个物质空间、一个有限的区域，还是一个出于研究者的目的而被集中在一起的相互关联的客体、人群以及空间的集合。这一路径将一个群体的数字技术使用，包括他们的在线和离线活动（两者之间的区别很容易变得模糊）以及在这些世界之间的互动，概念化为（可）调研的（数字）民族志场地。这一概念包含了这样的见解，即研究地点不是静态的，而是动态的、不断变化的。人们也认识到，民族志研究者正通过关注社交媒体帖子和参与者的更新状态，有时还通过向它们投稿并把它们记录或归档，来参与这种民族志场地的构建(Postill and Pink, 2012)。\n\n开发数字视觉图像分析技术和使用数字可视化工具，对社会学研究来说也非常重要。视觉社会学(visual sociology）这一分支学科，包括社会问题的创造性呈现和记录，以及作为社会学分析的组成部分的图像阐释。传统上的视觉社会学从摄影、视频以及艺术品中提取图像，而现在的视觉社会学让自已走入了数字化成像技术(Graham et al.，2011；Lapenta，2011)。视觉社会学寻求识别这些技术的含义，并利用它们来有效地分析当代社会世界。\n\n第三章 数字时代研究的再概念化\n\n59","previous_page":58,"next_page":60}