{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8","title":"数字社会学","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208177284","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8","id":"dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8","uuid":"dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8","title":"数字社会学","normalized_title":"数字社会学","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208177284","isbns":["9787208177284"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":298,"navigation_url":"https://workshop.closeclaw.top/ai/book/dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8","title_url":"https://workshop.closeclaw.top/ai/title/%E6%95%B0%E5%AD%97%E7%A4%BE%E4%BC%9A%E5%AD%A6","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8","page_url":"https://workshop.closeclaw.top/api/ai/books/dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8/page","search_url":"https://workshop.closeclaw.top/api/ai/books/dc63b13d-e064-4d2f-83fb-aa8d3b8c79f8/search"},"page":{"printed_page":91,"pdf_page":111,"physical_index":111,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"56878df07e06f79b30880be76053a306b27827b975da397123ddbfdf413b8c72"},"chapter":"第四章 数字化学术","content":"这些项目是霍尔和他的合作者的实验内容，霍尔称之为“媒体礼物”，或“使用数字媒体来实现或创造性地实行批判理论和文化理论”(Hall，2013a)。他将此类活动视为礼物，因为它们是免费提供的，而不是作为知识产权保护起来；同时也是施行性的，因为它们不是为了呈现或记录世界，而是采用创造性和创新性的分析和批评形式与世界互动或行动。霍尔的另一个媒体礼物项目是“流动理论电视”(Liquid Theory TV)，这是一个与克莱尔·伯查尔(ClareBirchall)和皮特·伍德布里奇(Pete Woodbridge）合作的项目，旨在开发一系列用于讨论知识理念的互联网托管电视（Hall，2013a)。\n\n霍尔（Hall，2013c）设想了一个未来的学术发表环境，即学者们通过一系列格式和平台发表他们的作品，从由传统学术出版社出版的较为传统的期刊、书目章节或专著，到由互联网上现有的自出版和开放存取平台所提供的各种形式，包括多媒体格式、动画、图像、摄影、电影、音乐等等。从这个角度来看，他认为“出版”的概念受到了挑战，并得到了扩展。出版物不再有终点，因为它的在线形式能够被持续地调整、修改、糅合和转化。这让我们想到了数字资料在互联网上传播的观念，以及这些资料是如何以原作者从未计划或期望的方式不断被再发明的。\n\n第四章 数字化学术\n\n91","previous_page":90,"next_page":92}