{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"de9b4263-c277-4979-9f00-91fe8d8660f7","title":"差异与重复","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567591363","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"de9b4263-c277-4979-9f00-91fe8d8660f7","id":"de9b4263-c277-4979-9f00-91fe8d8660f7","uuid":"de9b4263-c277-4979-9f00-91fe8d8660f7","title":"差异与重复","normalized_title":"差异与重复","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567591363","isbns":["9787567591363"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":538,"navigation_url":"https://workshop.closeclaw.top/ai/book/de9b4263-c277-4979-9f00-91fe8d8660f7","title_url":"https://workshop.closeclaw.top/ai/title/%E5%B7%AE%E5%BC%82%E4%B8%8E%E9%87%8D%E5%A4%8D","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/de9b4263-c277-4979-9f00-91fe8d8660f7/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/de9b4263-c277-4979-9f00-91fe8d8660f7/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/de9b4263-c277-4979-9f00-91fe8d8660f7","page_url":"https://workshop.closeclaw.top/api/ai/books/de9b4263-c277-4979-9f00-91fe8d8660f7/page","search_url":"https://workshop.closeclaw.top/api/ai/books/de9b4263-c277-4979-9f00-91fe8d8660f7/search"},"page":{"printed_page":460,"pdf_page":479,"physical_index":479,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"84b7b26047c7f1c0fbec1a5abe6f755539789022ee55d88bdf41b4aacfe99965"},"chapter":"第五章 感性物的不对称综合","content":"355]正如作为微分规定的奇异性是前个体的，作为个体化差异的个体化正是前我、前自我。无人称的个体化与前个体的奇异性的世界便是人们(ON)或“它们(ils)”的世界，这个世界不能被归结为日常生活的平淡无奇。恰恰相反，这是一个产生遭遇与共振的世界，它是狄奥尼索斯最后的面孔，它是那超越了表象并使拟像到来的深邃之物与无底的真正本性(按照黑格尔的批评，谢林被无差异的黑夜所围困，在这黑夜中，所有的母牛都是黑色的。但是，当我们在我们那无形象思想的厌烦与焦虑中低声说着“啊！母牛”，“它们过分了”之类的话时，有那么多的差异之预感在我们背后麋集着，这黑暗虽然是未被同一、未被个体化或勉强被个体化的，但它却既是所分化的又是行分化的，多少差异和奇异性都被作为攻击得到了分配，多少拟像为了组成“人们”与“它们”的世界而在这变为白昼的夜里现身)。①“虽然无底是无差异的，但它却充满着(fourmille)差异”，这是限制的幻相或表象的外在幻相，它是作为所有内部幻相的结果产生的。并且，诸理念—一伴随着自身那些具有构成作用的繁复体—如果不是那些在我的龟裂处蠢动的蚂蚁(fourmis)又能是什么？\n\n460\n\n差异与重复\n\n① 阿达莫夫(Arthur Adamov)曾围绕这一主题撰写了一个非常精彩的剧本《大小手术》(La grande et la petite manœuvre, 1950, Théâtre I, N. R. F. ) 。","previous_page":459,"next_page":461}