{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"de9b4263-c277-4979-9f00-91fe8d8660f7","title":"差异与重复","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567591363","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"de9b4263-c277-4979-9f00-91fe8d8660f7","id":"de9b4263-c277-4979-9f00-91fe8d8660f7","uuid":"de9b4263-c277-4979-9f00-91fe8d8660f7","title":"差异与重复","normalized_title":"差异与重复","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567591363","isbns":["9787567591363"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":538,"navigation_url":"https://workshop.closeclaw.top/ai/book/de9b4263-c277-4979-9f00-91fe8d8660f7","title_url":"https://workshop.closeclaw.top/ai/title/%E5%B7%AE%E5%BC%82%E4%B8%8E%E9%87%8D%E5%A4%8D","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/de9b4263-c277-4979-9f00-91fe8d8660f7/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/de9b4263-c277-4979-9f00-91fe8d8660f7/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/de9b4263-c277-4979-9f00-91fe8d8660f7","page_url":"https://workshop.closeclaw.top/api/ai/books/de9b4263-c277-4979-9f00-91fe8d8660f7/page","search_url":"https://workshop.closeclaw.top/api/ai/books/de9b4263-c277-4979-9f00-91fe8d8660f7/search"},"page":{"printed_page":502,"pdf_page":521,"physical_index":521,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"dcf50edb06fefdfcd0d46224ddf50fa76cb14f0479ca04100814c971ade50c9a"},"chapter":"第五章 感性物的不对称综合","content":"对于某些作者(柏拉图、亚里士多德、莱布尼茨、黑格尔、弗洛伊德、海德格尔)，我们只是在“著作”一栏中注明了“多处”（passim)，这是因为差异或重复的主题事实上在他们的全部作品中都出现过。毫无疑问，其中一些著作比其他著作更为直接地论述了这些主题；我们已经在文中引用了它们。与此相反，在另外一些情况下，尤其是对于文学作品而言，我们只引用了一些被视为“范本”的作品—一尽管相关作者的全部作品都是围绕着差异与重复展开的。\n\n502\n\n差异与重复","previous_page":null,"next_page":503}