{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","title":"什么是批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787303287741","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","uuid":"dfe67541-4039-4f88-87ce-dbbadb056cb2","title":"什么是批判","normalized_title":"什么是批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787303287741","isbns":["9787303287741","0120214113"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":490,"navigation_url":"https://workshop.closeclaw.top/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2","title_url":"https://workshop.closeclaw.top/ai/title/%E4%BB%80%E4%B9%88%E6%98%AF%E6%89%B9%E5%88%A4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/dfe67541-4039-4f88-87ce-dbbadb056cb2","page_url":"https://workshop.closeclaw.top/api/ai/books/dfe67541-4039-4f88-87ce-dbbadb056cb2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/dfe67541-4039-4f88-87ce-dbbadb056cb2/search"},"page":{"printed_page":177,"pdf_page":197,"physical_index":197,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"5ef99ac106f0f4fd6677305e7ded739ea9a977ad3326d57d6522fcc508b9a16f"},"chapter":"什么是批判","content":"五\n\n批判理论的两个分支哈贝马斯及其学生的康德式分支和阿多诺的追随着犹太教偶像禁令的分支，都被证明是不可靠的。“批判理论”的说法有着传记性的、非哲学性的意义。它标示了一系列书籍和文章，但是关于其名称的理论却尚付阙如。①\n\n但是我们还未回答这一问题：是否阿多诺的批判思想尽管它不言说它要批判的方向在摒弃偶像禁令后仍是可用的，因为正是从对偶像禁令的遵从中阿多诺的上述思想才开始产生。由此，要摒弃偶像禁令，其思想就没有了根据。所以我们也可以假设，批判理论已经完结了，现在只有传统理论和相关的传统批判，也就是仅仅指向阻碍实现特定目标的特定缺陷的批判；是否允许这样一种批判只使用阿多诺的程序，却不谈论它把其对象扔到何处了？\n\n举例来说：在去小酒馆的路上，我经过一座房子，它有令人厌恶的颜色，是一种淡淡的覆盆子红，它让人想起化妆品广告。现在很容易出现这种情况：我说出上述判断，却既没有表明房子应该有的颜色，也没有指出一种颜色——和这种颜色相比，房子现在实际的颜色要显得更丑。没人会认为不允许仅仅作出批判(而不给出正面观点)，虽然会有些人和我观点不一致，赞扬这座房子的颜色或者至少认为它能够接受。但是没有人会认为我之前说的话是无可争辩的，因为我把自己仅仅限制在批判性判断的领域。这样，讨论(其颜色)就完完全全是多余的。\n\n① 另参考以下书中给出的评价：Raymond Geuss，Die Idee einer kritischen Theorie, Bodenheim 1988.\n\n批判，以及它如何可能变得更好\n\n177","previous_page":176,"next_page":178}