{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","title":"什么是批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787303287741","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","uuid":"dfe67541-4039-4f88-87ce-dbbadb056cb2","title":"什么是批判","normalized_title":"什么是批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787303287741","isbns":["9787303287741","0120214113"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":490,"navigation_url":"https://workshop.closeclaw.top/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2","title_url":"https://workshop.closeclaw.top/ai/title/%E4%BB%80%E4%B9%88%E6%98%AF%E6%89%B9%E5%88%A4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/dfe67541-4039-4f88-87ce-dbbadb056cb2","page_url":"https://workshop.closeclaw.top/api/ai/books/dfe67541-4039-4f88-87ce-dbbadb056cb2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/dfe67541-4039-4f88-87ce-dbbadb056cb2/search"},"page":{"printed_page":255,"pdf_page":275,"physical_index":275,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"ae85bed46b010ce0e490c666325c1b2eb0d0ea787240680f885f9b7234d5a026"},"chapter":"什么是批判","content":"六、作为展示活动的批判\n\n展示性的批判并没有从一种批判应当关切的真理导向出发。它既没有像在批判性反思中一样，已经有了一种被共享的认识兴趣，也没有像在治疗性批判中一样，基于新要素变得稳定。展示性批判的对象领域更多是通过假象得到界定的，在其中欠缺一种真理导向。批判的辩护问题在此体现为：一个人如何能够被说服，来对其早先曾感到满意的信念进行修正。这种简单化的原型正是堂吉诃德背负着罪责的蒙蔽(Verblendung)。在艺术——借助《堂吉诃德》中的风车插曲——先给了简单化现象一个形象后，它又获得了一种概念的形式。除了托马斯·阿奎那关于忧郁(acedia)①的解释外，还有一种解读的尝试涉及黑格尔关于“非真实意识”的现象学(Phänomenologie des nicht wahrhaften Bewusstseins“)①克尔凯郭尔关于恐惧(Angst)的解释②、尼采的文化批判③、海德格尔对非本真状态(Uneigentlichkeit)的分析④，以及萨特的“自欺”(mauvaisefoi)理论⑤。\n\n① 参见：Michael Theunissen,Vorentwürfe der Moderne. Antike Melancholie und die Acedia des Mittelalters, Berlin, New York 1996.\n\n反思，治疗，展示\n\n255","previous_page":254,"next_page":256}