{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","title":"什么是批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787303287741","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","uuid":"dfe67541-4039-4f88-87ce-dbbadb056cb2","title":"什么是批判","normalized_title":"什么是批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787303287741","isbns":["9787303287741","0120214113"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":490,"navigation_url":"https://workshop.closeclaw.top/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2","title_url":"https://workshop.closeclaw.top/ai/title/%E4%BB%80%E4%B9%88%E6%98%AF%E6%89%B9%E5%88%A4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/dfe67541-4039-4f88-87ce-dbbadb056cb2","page_url":"https://workshop.closeclaw.top/api/ai/books/dfe67541-4039-4f88-87ce-dbbadb056cb2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/dfe67541-4039-4f88-87ce-dbbadb056cb2/search"},"page":{"printed_page":257,"pdf_page":277,"physical_index":277,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f84d835c4f6c5762db736f622ada7f9c58898a07bc5490bf6c3700012b6272b4"},"chapter":"什么是批判","content":"对于展示性批判而言，核心的东西是其展示活动的自身目的(Selbstzweck)。在对反思性批判和治疗性批判的区分中，假象在此被展示，而并没有包含信念的或者治疗的目标。但是正是对于说服性或治疗性意图的取消，使得—看似是个悖论展示活动能够真正地成为批判。不过展示活动把自身限定在描述上。这种展示活动的自我目标却释放出一种意义的盈余，它没有让展示活动归并为被展示物。这种超出合乎自身目的的展示活动之规范性盈余，使得偏见能够得到消解；尽管这并不能被强制发生。对象严格地通过对它的彻底展示而得到批判，并且对于一个有偏见的意识也成为可理解的。外部在展示性批判中具有一个规范性意义盈余的形象，它从展示活动的自身目的中被衍生出来。展示性批判以三种具有自我目标特征的展示形式而得到实现：作为艺术、作为对话、作为理论。\n\n在下文中展示和批判的统一体将分别根据——按必然的图式艺术作品(第七部分)、对话(第八部分)和理论(第九部分)的线索得到论述。但这并不构成在展示性批判中的“居住权”(Heimatrecht)。展示性要素也可以在反思性的和治疗性的批判中得到实现。例如，艺术作品对于他者性可以扮演一个不可取代的角色。同样，叙述，作为展示性批判的核心构成了精神分析对话的稳固部分。艺术、对话和理论同样蕴含着批判的潜力，这在反思性的和治疗性的批判中并没有被创造出来。\n\n反思，治疗，展示\n\n257","previous_page":256,"next_page":258}