{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","title":"什么是批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787303287741","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","uuid":"dfe67541-4039-4f88-87ce-dbbadb056cb2","title":"什么是批判","normalized_title":"什么是批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787303287741","isbns":["9787303287741","0120214113"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":490,"navigation_url":"https://workshop.closeclaw.top/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2","title_url":"https://workshop.closeclaw.top/ai/title/%E4%BB%80%E4%B9%88%E6%98%AF%E6%89%B9%E5%88%A4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/dfe67541-4039-4f88-87ce-dbbadb056cb2","page_url":"https://workshop.closeclaw.top/api/ai/books/dfe67541-4039-4f88-87ce-dbbadb056cb2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/dfe67541-4039-4f88-87ce-dbbadb056cb2/search"},"page":{"printed_page":261,"pdf_page":281,"physical_index":281,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"1dc9373f120444dc2ee4078b6e9d2ca64fc515ebe2c8336a988833acd3a33152"},"chapter":"什么是批判","content":"然而自主性并不就是展示的状况，而是其雄辩性的动态可能性条件。艺术作品成功使得现实得到展示，因此它基于与说服性的或交往性的目的相对立的自主性，开启了一个通达现实的入口。它的展示不服务于任何信念的或者劝说的目标，因此也不是被迫使的。但正是这种自足的克制使其能够打破思维习惯，并且让我们向面前的顽固限制敞开自身。正是在美学上对于交流意图的消除它只是在表面上像是悖论使得我们能够通达展示内容。\n\n现在人们能够更好地理解，为什么艺术作品远离论证，却与辩护的实践活动交织在一起：正是通过给出根据，这也是批判的特征。然而就其不给出诊断、分析和修正的根据而言，艺术作品本身不从事辩护实践。艺术作品不提供根据，但是它的观察者提供。艺术作品能够从观赏者一方开展辩护实践，前提是他们既不回答也不提问。根据(Gründe)首先在自我追问的过程中扮演一个角色。艺术作品的听者、观看者或读者处在一种自我追问的过程中，在其中他自己会针对根据进行追问：为什么他应当以不同于以往的方式来观察事物？\n\n① 参见：Martin Seel, Ästhetik des Erscheinens,Frankfurt/ M 2003; ders. , Die Macht des Erscheinens, Frankfurt/M. 2007; Hans Ulrich Gumbrecht, » Epiphanien «, in: J. Küppers und C. Menke (Hg. ), Dimensionen ästhetischer Erfahrung,Frankfurt/ M2003, S. 203-222; Günter Figal, Gegenständlichkeit.DasHermeneutische und die Philosophie, Tübingen 2006; Gottfried Boehm, Wie Bilder Sinn erzeugen. Die Macht des Zeigens, Berlin 2007.\n\n反思，治疗，展示\n\n261","previous_page":260,"next_page":262}