{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","title":"什么是批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787303287741","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","uuid":"dfe67541-4039-4f88-87ce-dbbadb056cb2","title":"什么是批判","normalized_title":"什么是批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787303287741","isbns":["9787303287741","0120214113"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":490,"navigation_url":"https://workshop.closeclaw.top/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2","title_url":"https://workshop.closeclaw.top/ai/title/%E4%BB%80%E4%B9%88%E6%98%AF%E6%89%B9%E5%88%A4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/dfe67541-4039-4f88-87ce-dbbadb056cb2","page_url":"https://workshop.closeclaw.top/api/ai/books/dfe67541-4039-4f88-87ce-dbbadb056cb2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/dfe67541-4039-4f88-87ce-dbbadb056cb2/search"},"page":{"printed_page":86,"pdf_page":106,"physical_index":106,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"df1be2aebcdfbf628c4c59e150974b0c42ce39d4b6c094de1dc20e3b68d22ee4"},"chapter":"什么是批判","content":"2. 电影中的意识形态批判—让-皮埃尔·达内和\n\n吕克·达内的《罗塞塔》\n\n比利时电影人让-皮埃尔·达内和吕克·达内的几乎所有电影都以他们的比利时家乡列日附近的瑟兰为背景，那里在1960年左右一直是重工业的重镇。自20世纪70年代末以来，达内兄弟一直在记录钢铁生产衰退和结束的影响。他们先为纪录片导演和戏剧导演阿曼德·加蒂(ArmandGatti)进行了录音，然后拍摄了采访，这可以说是一种社会研究的纪录片形式。后来，达内兄弟自己制作了纪录片概念的电影，其中采访再次发挥了主要作用，在形式上让人想起早期的戈达尔(J。L. Godard)。这些采访影片的特点是，它们不是问答游戏(Frage-Antwort-Spiele)，而是对与之对话的人的行动和几乎无意的行动的描画。因此，电影集中在主人公说话时的行为，而说话的内容往往具有配乐的功能。自20世纪90年代初以来，达内兄弟一直在尝试拍摄半纪录片式的故事片，这些影片仍然基于广泛的采访研究。他们的出发点是，现实只能以故事片的形式来传达。\n\n① Elend der Welt, Zeugnisse und Diagnosen alltäglichen Leidens an der Gesellschaft, Konstanzl997 (frz.1993), zum Beispiel, S. 801.\n\n86\n\n什么是批判","previous_page":85,"next_page":87}