{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","title":"什么是批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787303287741","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","id":"dfe67541-4039-4f88-87ce-dbbadb056cb2","uuid":"dfe67541-4039-4f88-87ce-dbbadb056cb2","title":"什么是批判","normalized_title":"什么是批判","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787303287741","isbns":["9787303287741","0120214113"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":490,"navigation_url":"https://workshop.closeclaw.top/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2","title_url":"https://workshop.closeclaw.top/ai/title/%E4%BB%80%E4%B9%88%E6%98%AF%E6%89%B9%E5%88%A4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/dfe67541-4039-4f88-87ce-dbbadb056cb2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/dfe67541-4039-4f88-87ce-dbbadb056cb2","page_url":"https://workshop.closeclaw.top/api/ai/books/dfe67541-4039-4f88-87ce-dbbadb056cb2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/dfe67541-4039-4f88-87ce-dbbadb056cb2/search"},"page":{"printed_page":88,"pdf_page":108,"physical_index":108,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"8a6e9e0bb43a3adc0b878a75db083e69cf64377f688bd66b68b6c04f9892f708"},"chapter":"什么是批判","content":"这部电影是一个沉重的(schwerfällig)、重复的，而且如果不是因为不可避免的纪录片内容—几乎是形式主义的操作。当观众体验到罗塞塔的现实是夸张和恼人的，而不是真实的，就会发现通常的现实主义故事片漏过了哪些现实：日常事件的长时间持续的沉重，人们可能不会称这样的事件为行动。通过给这种物质主义的沉重留出空间，认真对待主人公认为重要的小事，并处处留心跟踪他们，摄影机也使反抗、自主和尊严变得明显。此外，因为身体，或者更准确地说，女演员的背部，常常挡住了观众的视线，这与画面不相称。在其特异性的存在中，背部干扰了对电影的无障碍访问。人们无法从罗塞塔的肩膀上看过去，因此也无法对她熟视无睹。\n\n这位主人公和其他几个出现在外围的拖车停车场的居民一样，被排除在工作生活之外，因此也被排除在她所设想的乌托邦式的常态性(Normalität)之外。她为克服这两种排斥而进行的斗争付出了高昂的代价至少从观众的角度来看是如此。除了几乎是主旋律的胃痛之外，强加的节奏是一种永不停息的冲动，罗塞塔试图以这样的毅力克服工作道路上的所有障碍，到最后你不知道是发现它们极其强大还是极度有缺陷。通过这种方式，影片显示了罗塞塔所寻求的工作和她与之结合的常态性都是双刃剑。对工作和常态性的渴望的必要性和合理性与这些目标对主人公施加的暴力形成了平衡。\n\n88\n\n什么是批判","previous_page":87,"next_page":89}