{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"e05337c5-7112-40e6-981f-e22caf516312","title":"如何思考全球数字资本主义当代社会批判理论下的反思","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208186194","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"e05337c5-7112-40e6-981f-e22caf516312","id":"e05337c5-7112-40e6-981f-e22caf516312","uuid":"e05337c5-7112-40e6-981f-e22caf516312","title":"如何思考全球数字资本主义当代社会批判理论下的反思","normalized_title":"如何思考全球数字资本主义当代社会批判理论下的反思","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787208186194","isbns":["9787208186194"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":408,"navigation_url":"https://workshop.closeclaw.top/ai/book/e05337c5-7112-40e6-981f-e22caf516312","title_url":"https://workshop.closeclaw.top/ai/title/%E5%A6%82%E4%BD%95%E6%80%9D%E8%80%83%E5%85%A8%E7%90%83%E6%95%B0%E5%AD%97%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%E5%BD%93%E4%BB%A3%E7%A4%BE%E4%BC%9A%E6%89%B9%E5%88%A4%E7%90%86%E8%AE%BA%E4%B8%8B%E7%9A%84%E5%8F%8D%E6%80%9D","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/e05337c5-7112-40e6-981f-e22caf516312/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/e05337c5-7112-40e6-981f-e22caf516312/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/e05337c5-7112-40e6-981f-e22caf516312","page_url":"https://workshop.closeclaw.top/api/ai/books/e05337c5-7112-40e6-981f-e22caf516312/page","search_url":"https://workshop.closeclaw.top/api/ai/books/e05337c5-7112-40e6-981f-e22caf516312/search"},"page":{"printed_page":133,"pdf_page":145,"physical_index":145,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"c10d084b74a4e2efcb6dc148420dd1a17e3e99a5edc35e2f9df56a033feb744b"},"chapter":"第五章 物体间性的形而上学","content":"显然，海德格尔并不满意于从物质构成来理解物之物性。在一篇题为《物》的讲座中，他以一个古希腊的陶壶（dasKruge)为例，批驳了这种从物质构成角度来思考物的方式。海德格尔指出：\n\n构成壶并且使壶得以站立的壁和底，并不是真正起到容纳作用的东西。而如果真正起容纳作用的东西在于壶之虚空，那么，在转盘上塑造成壶壁和壶底的陶匠并没有真正地制作这把壶。他只是塑造陶土而已。不对—他只是塑造虚空而已。为这种虚空，进入虚空之中并且从虚空而来，他把陶土塑造成形体。首先而且始终地，陶匠把握到不可把捉的虚空，并且将它置造出来，使之成为有容纳作用的东西而进入器皿形态中。壶之虚空决定着任何置造动作。器皿的物性因素绝不在于它由以构成的材料，而在于其容纳作用的\n\n第五章 物体间性的形而上学\n\n133","previous_page":132,"next_page":134}