{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ed4482f9-2315-47ea-9750-97bb05c9236b","title":"感官技术：控制论生物体的调解","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ed4482f9-2315-47ea-9750-97bb05c9236b","id":"ed4482f9-2315-47ea-9750-97bb05c9236b","uuid":"ed4482f9-2315-47ea-9750-97bb05c9236b","title":"感官技术：控制论生物体的调解","normalized_title":"感官技术控制论生物体的调解","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","isbns":["0415970164","0415970156","9780415970167","9780415970150"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":342,"navigation_url":"https://workshop.closeclaw.top/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b","title_url":"https://workshop.closeclaw.top/ai/title/%E6%84%9F%E5%AE%98%E6%8A%80%E6%9C%AF%EF%BC%9A%E6%8E%A7%E5%88%B6%E8%AE%BA%E7%94%9F%E7%89%A9%E4%BD%93%E7%9A%84%E8%B0%83%E8%A7%A3","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ed4482f9-2315-47ea-9750-97bb05c9236b","page_url":"https://workshop.closeclaw.top/api/ai/books/ed4482f9-2315-47ea-9750-97bb05c9236b/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ed4482f9-2315-47ea-9750-97bb05c9236b/search"},"page":{"printed_page":101,"pdf_page":113,"physical_index":113,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"dc4d07b40aca24e4f823f1c60d60c307cc007a263f052bf91f350044de3ebd0d"},"chapter":"hodiPs ICOOP-","content":"肖像(通过在他们身上叠加阴影)只是为了挫败这种尝试，一旦他们如此具体化，就会立即替换图像。将这种矛盾的结构与他“引入异域记忆’作为城市催化剂”的努力联系起来，Lozano-Hemmer明确地将装置的互动空间定性为身体“不属于”的空间——也就是说，作为一个不能被身体形象、作为形象的身体、作为身体之间的共性媒介的形象所居住的空间比《Re:定位恐惧》更清楚的是，身体的分离是通过对身体形象肤浅的表演批判来实现的。不过，就像早期作品中的情况一样，在界面中仍然有用的是影子作为对身体积极性的否定的作用，作为身体的无实体反形象，它可以在装置的信息充满活力的空间中实现代理，仅仅是因为它使个体化的身体解体了。\n\n然而，与《Re:定位恐惧》相比，这种分离在这里是为了服务于更广泛的审美目标一一在技术上便利的动觉空间中创造一种交流形式的可能性。这是一个技术上产生的跨体空间，它体现了社会的解体所带来的分裂\n\nBodies in Code\n\n101","previous_page":100,"next_page":102}