{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ed4482f9-2315-47ea-9750-97bb05c9236b","title":"感官技术：控制论生物体的调解","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ed4482f9-2315-47ea-9750-97bb05c9236b","id":"ed4482f9-2315-47ea-9750-97bb05c9236b","uuid":"ed4482f9-2315-47ea-9750-97bb05c9236b","title":"感官技术：控制论生物体的调解","normalized_title":"感官技术控制论生物体的调解","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","isbns":["0415970164","0415970156","9780415970167","9780415970150"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":342,"navigation_url":"https://workshop.closeclaw.top/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b","title_url":"https://workshop.closeclaw.top/ai/title/%E6%84%9F%E5%AE%98%E6%8A%80%E6%9C%AF%EF%BC%9A%E6%8E%A7%E5%88%B6%E8%AE%BA%E7%94%9F%E7%89%A9%E4%BD%93%E7%9A%84%E8%B0%83%E8%A7%A3","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ed4482f9-2315-47ea-9750-97bb05c9236b","page_url":"https://workshop.closeclaw.top/api/ai/books/ed4482f9-2315-47ea-9750-97bb05c9236b/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ed4482f9-2315-47ea-9750-97bb05c9236b/search"},"page":{"printed_page":207,"pdf_page":219,"physical_index":219,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"9a0238e71fcf59e9d20673a2c908580ae22179715e17ddf341c5003e768d58c0"},"chapter":"hodiPs ICOOP-","content":"再说一次，数字化促进的矢量建模提供了将建筑的轴向同向性特征一一“人的脊椎动物轴”和“古典希腊-基督教空间的地平线对称”的同向性——转化为时间虚拟化的初始坐标的手段，这种虚拟化产生了一种饱和的空间形式所有的间隙空间都被“埋在”这两个轴线之间。在这里，矢量允许静态博物馆和动态轮渡码头相互变形，以便它们之间的差异被吸收为新空间形式的潜力。\n\n然而，与《虚拟之家》中立方体的变形不同，这种矢量建模的过程是一种达到目的的手段，从某种意义上说，它为建筑形式提供了生成源。在这个角色中，矢量建模的功能是使建筑形式具有间隙空间潜力，这些空间潜力包括通过具身居住(变体)实现的许多触发因素。正是这种居住的潜力使我们将艾森曼的项目与弗兰克·劳埃德·赖特和弗兰克·盖里的古根海姆博物馆区分开来。像这些博物馆的设计一样，艾森曼的设计采用了“质心结构”。然而，尽管两个古根海姆博物馆都部署了某种垂直的中央组织轴，但斯塔顿岛研究所的空间形式包围并扭曲了实际上是一个中央空洞的空间，有效地否认了一个可以将各个部分连接在一起的大型中心轴的定向功能。\n\nWearable Space\n\n207","previous_page":206,"next_page":208}