{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ed4482f9-2315-47ea-9750-97bb05c9236b","title":"感官技术：控制论生物体的调解","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ed4482f9-2315-47ea-9750-97bb05c9236b","id":"ed4482f9-2315-47ea-9750-97bb05c9236b","uuid":"ed4482f9-2315-47ea-9750-97bb05c9236b","title":"感官技术：控制论生物体的调解","normalized_title":"感官技术控制论生物体的调解","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","isbns":["0415970164","0415970156","9780415970167","9780415970150"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":342,"navigation_url":"https://workshop.closeclaw.top/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b","title_url":"https://workshop.closeclaw.top/ai/title/%E6%84%9F%E5%AE%98%E6%8A%80%E6%9C%AF%EF%BC%9A%E6%8E%A7%E5%88%B6%E8%AE%BA%E7%94%9F%E7%89%A9%E4%BD%93%E7%9A%84%E8%B0%83%E8%A7%A3","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ed4482f9-2315-47ea-9750-97bb05c9236b","page_url":"https://workshop.closeclaw.top/api/ai/books/ed4482f9-2315-47ea-9750-97bb05c9236b/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ed4482f9-2315-47ea-9750-97bb05c9236b/search"},"page":{"printed_page":217,"pdf_page":229,"physical_index":229,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"5cfcc659c9afb65cf0f206140bbfb1bc5259f2296bf43597dbe388bd91fc3f8b"},"chapter":"hodiPs ICOOP-","content":"被认为是纯粹的图片窗口视图的丰富情境性(见图4.13)。\n\n正如迪门伯格所说，她对这种背景的兴趣使其复杂化，并最终取代了对整体视觉的渴望，这最终解释了为什么这个装置“从字面上解构了建筑透明度的现代主义信条”。它破坏了无媒介视觉的意识形态，即观景窗，“通过揭露其最基本的前提:观察者的身体，因为它在思考，并被建筑所框定”(75)。因此，《欲望之眼》从对《慢屋》中视觉的纯洁性和高贵性的质疑转向了对其污染的后果的估计:即暴露了作为所有建筑框架“起源”的体现。\n\n这种暴露正是迪勒+斯科菲迪奥的模糊建筑的关键所在，在这里，世界博览会作为一种机构的典型自然纪念性框架被破坏和取代，取而代之的是通过缓慢的身体体验的框架。正如评论家阿什利·谢弗(Ashley Schafer)所指出的，在Blur项目中，就像在慢屋中一样，技术“没有产生任何东西，或者至少没有产生任何不存在的东西;更确切地说，它们\n\nWearable Space\n\n217","previous_page":216,"next_page":218}