{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ed4482f9-2315-47ea-9750-97bb05c9236b","title":"感官技术：控制论生物体的调解","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ed4482f9-2315-47ea-9750-97bb05c9236b","id":"ed4482f9-2315-47ea-9750-97bb05c9236b","uuid":"ed4482f9-2315-47ea-9750-97bb05c9236b","title":"感官技术：控制论生物体的调解","normalized_title":"感官技术控制论生物体的调解","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","isbns":["0415970164","0415970156","9780415970167","9780415970150"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":342,"navigation_url":"https://workshop.closeclaw.top/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b","title_url":"https://workshop.closeclaw.top/ai/title/%E6%84%9F%E5%AE%98%E6%8A%80%E6%9C%AF%EF%BC%9A%E6%8E%A7%E5%88%B6%E8%AE%BA%E7%94%9F%E7%89%A9%E4%BD%93%E7%9A%84%E8%B0%83%E8%A7%A3","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ed4482f9-2315-47ea-9750-97bb05c9236b","page_url":"https://workshop.closeclaw.top/api/ai/books/ed4482f9-2315-47ea-9750-97bb05c9236b/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ed4482f9-2315-47ea-9750-97bb05c9236b/search"},"page":{"printed_page":33,"pdf_page":45,"physical_index":45,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"70340f68eb7cb6c4c6e3ca4907fa1ec1ebc85cb128b0eb87b889049a6824e3c5"},"chapter":"hodiPs ICOOP-","content":"但事实上，他们会与隐藏的人类互动”(卡梅隆，18)。\n\n环境从这种牺牲中获得的是间接的创造力，在Krueger的涂鸦和参观者的反应之间的空间中出现的不确定性的边缘。因为动作-反应回路涉及的东西超出了任何技术界面所能包含或决定的范围—一从系统的角度来看是不可预测的—一它赋予创造力比技术性更大的特权。正如卡梅隆所说，这一成就—一用最微不足道的资源创造了一种新型交流的工作原型——是Krueger最令人印象深刻的成就:“通过对体验的原型化，而不是技术，……Krueger能够在技术存在之前探索互动装置的美学空间”(卡梅隆，18)。\n\n当间接的来源随后被整合到技术回路中时，就像在《心灵空间》(1971)中那样，它根本无法与Krueger对美学凌驾于技术之上的彻底特权进行任何形式的突破。更确切地说，这里的利害攸关之处在于对响应环境的(部分)自主性的恢复，通过将反馈(以及不可预测性元素)作为装置征集和基于过程的经验生成的内部方面来实现的恢复(见图1.3)。在这个意义上，心灵空间标志着一个巨大的成就：外在的来源\n\nBodies in Code\n\n33","previous_page":32,"next_page":34}