{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ed4482f9-2315-47ea-9750-97bb05c9236b","title":"感官技术：控制论生物体的调解","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ed4482f9-2315-47ea-9750-97bb05c9236b","id":"ed4482f9-2315-47ea-9750-97bb05c9236b","uuid":"ed4482f9-2315-47ea-9750-97bb05c9236b","title":"感官技术：控制论生物体的调解","normalized_title":"感官技术控制论生物体的调解","author":null,"edition":null,"publisher":null,"year":null,"isbn":"0415970164","isbns":["0415970164","0415970156","9780415970167","9780415970150"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":342,"navigation_url":"https://workshop.closeclaw.top/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b","title_url":"https://workshop.closeclaw.top/ai/title/%E6%84%9F%E5%AE%98%E6%8A%80%E6%9C%AF%EF%BC%9A%E6%8E%A7%E5%88%B6%E8%AE%BA%E7%94%9F%E7%89%A9%E4%BD%93%E7%9A%84%E8%B0%83%E8%A7%A3","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ed4482f9-2315-47ea-9750-97bb05c9236b/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ed4482f9-2315-47ea-9750-97bb05c9236b","page_url":"https://workshop.closeclaw.top/api/ai/books/ed4482f9-2315-47ea-9750-97bb05c9236b/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ed4482f9-2315-47ea-9750-97bb05c9236b/search"},"page":{"printed_page":35,"pdf_page":47,"physical_index":47,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"33433183d535d4ca06f9169951558ab3e014501ccfac474a281a09148ee6c74f"},"chapter":"hodiPs ICOOP-","content":"为了适应不断变化的环境(74)。通过这种方式，环境不断地恳求参观者确认她的代理，也就是说，她的运动在这个新空间中的重新映射和延伸是环境驱动的目的。\n\nVideoplace，克鲁格的互动平台，标志着一个进一步的，在某种意义上，最终的，在恢复响应环境的自主性的阶段，被理解为包含-实际上是作为互动领域结构耦合到-具身访问者。与心灵空间一样，Videoplace通过捕捉参观者的运动图像来工作，只是在这种情况下，图像呈现出参观者身体的轮廓，这些轮廓经过计算机处理(并以各种方式扭曲)。几个不同的程序促进了观众与她身体运动的示意图痕迹的互动;例如，它们允许她用身体部位的彩色图像填充线条内的空间，或者与时间上分散的、不断回响的她的运动捕捉进行互动(见图1.4)。\n\n最重要的是，Videoplace与克鲁格早期的响应式环境的区别在于技术和美学上的完全动作-响应同步性。在这里，计算机不会对访问者做出离散的反应，而这种反应又会触发访问者的动作(以此类推);而是，因为\n\nBodies in Code\n\n35","previous_page":34,"next_page":36}