{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":121,"pdf_page":128,"physical_index":128,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"b774f037dfe73e6dc948a347969cb733b46335c4d16b5a0837afcdb019579698"},"chapter":"审美资本主义","content":"消费与折中主义\n\n审美规则放宽了经济规束，由此导致消费的多样化。为了树立一种更放纵的消费体制，必须创造能够使消费合理化的理由，这种理由不仅能够容忍消费，还要能够引起和鼓励消费。原则上，这原本是生产者的任务。然而，这个任务也从更保守的行动流向了艺术、文学和知识生产领域的作品。经济生产者接下来要引导这个流动过程，以提升消费潜力。因此，资本主义受益于社会、道德和知识领域的发展，这些发展能够促进人们对商品的接纳。在这样的背景下，回顾高度关注感受性的文学和历史的意见，就是揭露有益于审美品味多样化的历史机制。\n\n①霍尔布鲁克(HOLBROOK)与赫希曼(HIRSCHMAN),《电影消费的 符号学》(The Semiology of Cinematic Consumption: Consumer Fantasies, Feelings and Fun),由科绍在《营销的历史》中援引,第 302 页。\n\n121","previous_page":120,"next_page":122}