{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":140,"pdf_page":147,"physical_index":147,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"c7dbd7c980c397b220d9643426463d31ffa1a9f0d7e0707c8cda3c3058316320"},"chapter":"审美资本主义","content":"当商品生产力大于理论上有限的消费能力(这是肯定会发生的)，消费能力则必须能够扩张，以吸收剩余商品。生产者像处理单纯消费品一样处理尽可能多的物品，让人们以消费衣服的速度消费桌子或椅子，以几乎接近消费食物的速度消费衣服，将使用价值转化为可交换价值。使用价值反映了物品与价格无关的功用(人体工程学、舒适、便利、性能等)。在这方面，消费原则上与用途无关，而是取决于商品的专属所有权。符合消费的审美制度，一张椅子的特点较少表现为它的用途，而是表现为它的风格品质，风格品质赋予它会过时的优势，因此也是促成新的购买行为的前提。消费的可毁灭性是其剩余价值的主要来源。任何物品都不可免于损耗。消灭的秩序系统对于工业消费经济是最重要的。\n\n不同于在长期的时间中形成与成型的爱好者的习惯作法，消费集中于时尚之中，更突出短暂的时间性。对于爱好者，他喜好的物品必须是现时的、熟悉的。因为这个条件，审美判断需要冒险经受分析和比较、分级和最挑剔的描述，以抬高到一个更高的欣赏等级和享乐等级。通过为物品注入差异，审美品味发动了一种检验实践，对人们随着时间推移必须否认的原有品味以及他人的品味进行检验，却绝不卸去审美判断所固有的不确定性。\n\n140","previous_page":139,"next_page":141}