{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":141,"pdf_page":148,"physical_index":148,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"dd321015e228803ed8e8f7d7ee4da0b66e4082c86426aa2375e763e86eea2934"},"chapter":"审美资本主义","content":"因为商品的轮转机制，时尚的短时性能够让一件物品的风格成为消费的动机。设计凝聚了产品销售所必需的情欲效应。设计的职责在于美化产品，例如咖啡壶、小勺子、家具等，这些物品一旦脱离其用途，则会因其讨喜的外表而具备吸引力。此外，设计艺术在艺廊中的出现并不是一个例外，而是另一种关系下呈现的非用途机制的证明。因为采用了短时性，大众设计也是一种时尚物品。生产的不均衡鼓励消费者自我调节以适应市场上可用物品的接替出现。由于这个原因，生产者更少担心商品本身，而更多地担心对消费来说必不可少的暗示的组织与控制。\n\n一篇典型的批评强调产品与消费者无关，因为消费者既没有时间也没有能力占有产品。接纳物品所需的时间比消费物品的短促时间更长，却不被重视。里尔克(Rilke)在20世纪初这样写道：\n\n对于我们父亲的父亲而言，一栋房子、一个喷泉、一座不知名的塔楼、他们的衣服、他们的外套等，都还是极为熟悉且无限更熟悉的物品；几乎哪里都是庇护所，在哪里都可以找到人并聚集更多的人。现在美国向我们投掷了很多空虚且无足轻重的东西、只有表面的东西以及生活的幻影()。美国意义中的房子、美国的苹果、那里的葡萄，与贯穿我们祖先的期望的那栋房子、那种水果和那种葡萄没有任何共同之处(…)。那些生机勃勃的、过去真实经历过的、与我们息息相关的物品变得稀有且不可取代。也许我们是能够认识这些东西的最后一批人。①\n\n141","previous_page":140,"next_page":142}