{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":145,"pdf_page":152,"physical_index":152,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"ae20090a344704f25738277b128f85013f217ae3f9060bdd4d29fce6bea1564e"},"chapter":"审美资本主义","content":"并非观众身处于事物中，而是事物处于观众中，屈从于观众的心理框架和静态格局。物体和作品的现实化是为了观众而发生，也是在观众身上发生的。审美品味于是说明了一种个人与产品之间的调节机制。\n\n机械的审美品味回应机械的劳动。如同工业产品和艺术作品的差别的显现，有条件的审美体验与更开放的体验之间也出现了类似的差别。如果艺术作品要求新颖性和易感性，工业产品则要求生产者和构思者运用形式化的不具易感性的行动。这种差别的基础是一种对立关系，对立关系的两面是两种过程，一种是在无拘无束的空间中不间歇的发展，在这个空间里意愿、目的、目标和计划等所谓情感的动力克服了迷失方向的风险;另一种则是在一个决定论的世界里跟随着一种因果关系从这一端到那一端的发展，在这个世界中所有情感的介入都是干扰性的。①工业产品的地位高于艺术作品，其根据是科学代替经验论，推理组织代替个人行动，决定论高于创造性，运算法高于探索法，平庸性高于新颖性，机械活动高于反省活动，处事方法高于处世之道。\n\n① 参见伊夫·德福尔热(Yves DEFORGE),《作品与产品》(L'(Euvre etle Produit),第 33 页。\n\n145","previous_page":144,"next_page":146}