{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":158,"pdf_page":165,"physical_index":165,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"d1f8ccc2ee4ec07f50961d43a4263aa843ad3b0760763895c1512441a0d5f9f1"},"chapter":"审美资本主义","content":"在承认感官与物质条件以及由此产生的经济条件紧密相连的同时，要使审美愉悦感人性化，则迫切需要突破无产阶级简陋的生活条件。例如进食的需求升级为美食生活的艺术，纯粹动物性的体验过渡为审美体验的过程，需要刺激感受性。因为，去除工作、去除感官的协调运用后，无产者不仅仅是陷入经济的匮乏，还被剥夺了整个审美的世界，如同畜生一般：\n\n① 马克思，《1844年经济学哲学手稿》,第93页。\n\n②马克思谈到：“(……),对于不辨音律的耳朵来说，最美的音乐也毫无意义，音乐对它来说不是对象，因为我的对象只能是我的本质力量之一的确证。”(同上，第84页。)\n\n158","previous_page":157,"next_page":159}