{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":168,"pdf_page":175,"physical_index":175,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"e96ab47aa20bd8cf817e84192e201ee3f5000a5bde66f57a09567f173800307a"},"chapter":"审美资本主义","content":"企业向审美生产的转型调动了经济领域之外的创造能力，例如创造力的重组与嵌入尝试、合约艺术家周期性的贡献、设计和设计师分量的增加。如果生产者拨动了大众的心弦，人们应该继续在工业视角下的艺术中辨出哪些差异呢？有了艺术，重要的是释放潜在事物、冲破规则，然而审美消费的展开过程只能根据实际现实来决定潜在事物。审美品味的工业化排斥潜在事物的不规则增生，因为潜在事物确实反过来要求感觉方式的重组。\n\n感受性的截获\n\n很明显，这个新的批评阶段与马克思所展望的前景相去甚远:所有权的绝对专属性质和与之相应的愉悦感不再是问题所在，最终原因在于旨在推动审美感受性产生的动力在某些条件下可能反而对其有害。有若干原因可以解释市场参与者为截获审美品味所作出的努力。第一个原因关系到审美欣赏的武断特点；第二个则是生理冲动代替了审美欣赏；最后一个原因是品牌试图命令舆论关闭某些审美意见。\n\n168","previous_page":167,"next_page":169}