{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":199,"pdf_page":206,"physical_index":206,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f4478ce1665f10ef97568b1cf1a00a0360ef89157d4a900772d5d59d2530d017"},"chapter":"审美资本主义","content":"在经历了守旧思想和反对工业化灾难的思想的考验之后，任何审美解放的努力都会引起关于感受性的起源和力量的人类学问题。作为社会生活与文明进步的特征，审美表现绝不仅仅是引导人性从原始需求发展到审美欲望的精炼表达的进化过程的逻辑历史结果。审美诱惑力可能出现在任何社会的起源阶段，尤其它可能是这个社会繁荣昌盛的必要条件。并且一个社会是一个生产的空间，一个讨论和定义生活及其欲望和需求的规则和潜力的空间。①然而，欣赏评价之间的(意味着审美差异的)细节差异涵盖了社会差异。这些差异从根本上支持个性化的机制。\n\n①塔尔德同意这个观点：“多余的事物，即奢侈品、美，我指的是每个时期形成的特殊之美，它是任何社会中极其社会化的事物，而且这是所有其他的事物、必需的事物和有用的事物之所以存在的原因。”另一段话也谈到了相同观点：“(……)风格和方式(……)这是一个社会最明显也是最深奥的特征。这里是穹顶，那里是楣梁，其他地方是拱腹，主要形态可以完美地比拟这些主导用途的形态学特征，它主动规定用途，而不是被迫接受用途，自然人也是通过这样的方式自我认识的。这就是为什么拒绝是被许可的，但仅仅以审美的方式。”(《模仿的定律》,第59页。)\n\n199","previous_page":198,"next_page":200}