{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":51,"pdf_page":58,"physical_index":58,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"5433644da2ba8fad88164b077742b7929a635e86637ef2a07cd16cc38f75d372"},"chapter":"审美资本主义","content":"20世纪初的标志性著作——某个名为拜亚(Bayard)的作者所撰写的《好品味的艺术》(L'Art du bon goût)仍然在传授其对于审美品味的标准化见解。所有个人创造都被纪律规矩和审美教条所操控。审美品味的自由余地被缩减。多元化被禁止，以至于影响到对不同意见应进行争论的定律。哪怕最微小的争论都是令人不安的，意味着某种未知的品味及欣赏的变数的存在，争论也仅仅表现为人们含糊其辞表达自己意见时那种为难的样子。①好品味是无可争论的。于是，对风俗和好习惯的参考，是用来以套套逻辑的方式强调人们只能喜爱那些可以喜爱的东西。谈话中的修辞用法属于对个人审美品味活动的轮廓界定，目的在于更严格地限定审美讨论的周界。通过极致缩减手段，为简单化的生活开辟了一条道路。\n\n《好品味的艺术》指出，在城里穿得像在乡下一样和在乡下穿过节的衣服是无意义的。审美品味的方方面面会依次地运用到乡下、城市、房屋的内部装潢、男士女士的装扮中，也就是运用到所有呈献给他人观看、感知、欣赏的生活表现中。与古典论著相反的是，审美规则的制定从此涵盖了日常关系、社会关系、朋友关系、同庆节日关系、职业关系、亲密关系、私人关系等，囊括了社会生活情景的所有领域。我们可以读到这样的内容：“给抹了发蜡的头发分界线很庸俗；我们说过，分界线很恼人，因为它的纹路一直跟到……脑袋后面！”①如同当时的国家法律和道德准则一样，审美品味也属于对优良社会所推崇的风尚的遵从。当工业阶级的精力都被经济生产所占据，他们就不再有贵族阶级所拥有的闲暇时间来投入到社交表现中。\n\n①“至于品味规则，他们是根据优越的雅致性和精密性而制定颁布的，这种雅致和精密是人类的杰出作品通过世世代代数百年的尊敬和崇拜来表现的。”(拜亚，《好品味的艺术》，第2页。)\n\n51","previous_page":50,"next_page":52}