{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":54,"pdf_page":61,"physical_index":61,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"d0f35cc028cbe7d357820436255d12c4f50779d1d3566b1555fa54585293c435"},"chapter":"审美资本主义","content":"斯密用他的方式，表达了跟传统贵族一样的对商业的蔑视，然而事实上，财富的不断增长和积累仍然是提高得到社会认可的尊贵感受的一般方法。物品对他们来说是附属品。审美从属于主体。审美品味的进步反映了一个国家生活条件的改善，尤其是个人动机以及由此产生的经济动机对个人消费的激发程度。\n\n①亚当·斯密，《道德情操论》,第93页。\n\n② 同上。\n\n③“穷人默默无闻地来来去去，他在人群中时跟关在自己的陋室中时一样，都是无声无息的(…)反之,位高者被所有人关注。”(同上)\n\n54","previous_page":53,"next_page":55}