{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":55,"pdf_page":62,"physical_index":62,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"82398c2d5459e6a4d981c0df3425ca28d374fa161378d9674f6961e289dc4c53"},"chapter":"审美资本主义","content":"财富满足欲望的作用更大于满足需求的作用。因此，对“无用的小玩意”的喜好源自欧洲历史中的一次重大变革：封建制度的灭亡。①这些小玩意完全表现了它们的拥有者的虚荣心，他们所追求的并非适用性，而是拥有这些物品能带给他们的来自周围人的赞赏，即使这些物品几乎是无用的、多余的。对于“无实际意义的物品”的品味建立于他人的眼光介入的过程中。拥有物质，是间接享受他人对这些同样的财富的审美品味。个人的满足感来自于别人的同感。审美品味导致的必然结果是重心从物品本身偏移到个人的自爱欲。到了18世纪末，确确实实地，绘画进入一种新的消费制度，画作的价值不再取决于出资者的购买行动，而更多地依赖于没有利害关系的观众的眼光。公众免费欣赏作品，使作品脱离了私有物品的属性，有益于审美品味的普及，甚至能够建立起业余爱好者的公众群体，尤其有利于感觉和印象在社会中的流传。\n\n①“贵族卖掉了自己的继承权，并不是像以扫那样在饥饿和有需求的时刻为了一碗红豆汤出卖了自己的长子继承权，而是因为一时间对于拥有丰富的小玩意小物什的喜好，即使这些小东西更像是孩子的玩具，不值得成人对它们赋予严肃的关注。于是，这些贵族老爷们从此变得跟城里任意一个有产者或阔绰商人一样无足轻重。”(亚当·斯密，《国富论》，卷三，第4章，第421页。)\n\n55","previous_page":54,"next_page":56}