{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":71,"pdf_page":78,"physical_index":78,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"bd239eff616225c98313144387006114ff833023fa227658a8eec4f2e20d6171"},"chapter":"审美资本主义","content":"塔尔德用隐含欲望结合的情爱关系来给艺术消费定性。艺术作品并不是一种“附加在个人身上的人造器官；可以说，它是一位想象出来的人造的情人。它所回应的不是需求，而是爱”。①艺术有一种类似于爱情的作用，不仅是从个人层面，也是从社会层面。既然欲望的周长相对来说是没有极限的，那么爱的能力也是有弹性的，随着机遇和情绪的变化而变化。爱情和艺术的不确定性的潜能大致勾勒出惊喜的重要性以及愉悦感所必需的模糊感的积极作用。如果说人与人之间的爱在自私与嫉妒之中僵化，与他人分享会造成精神上的痛感，那么相反地，艺术所创造的愉悦感则会因为分享这个物品的人越多而越大。因为个体感受中所出现的情感共鸣，在个人向群体依附的过程中增加，必须明确，艺术中的性欲成分有助于更好更多地展开社会性。这种最初只在艺术作品中出现的社会性，表现了超越感官需求的精神需求。艺术作品并非满足一种已经存在的消费需求，而是产生一些复杂的消费欲望。所有这些爱欲，通过对欲望的人为加工，改变了生活的方式。艺术生产的过程凸显了发明创造的另一个特征。艺术制品跟商品不同，而是跟知识一样，在消费的过程中不会损耗。\n\n① 塔尔德，《社会逻辑》,第554页。\n\n71","previous_page":70,"next_page":72}