{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":74,"pdf_page":81,"physical_index":81,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"6e79d1631c02a2df2525293608dc7e978cb9480de3183671efbcc3aa4dda286c"},"chapter":"审美资本主义","content":"当信仰逐渐衰弱，则出现其他需要被满足的动机。因为贵族们需要被仰慕，因此艺术作品闪耀出高贵与伟大的光芒。然后，随着情感共鸣与商业、折中主义与自由主义成为惯例，为了缓解对愉悦感与情绪共鸣的饥渴，作品则须更激发情欲、更动人心弦、更使人愉悦。假设一种艺术类型反映了消费者的审美渴望，且工业生产要负责满足这种渴望，要作出这一假设，则必须理解从艺术生产的专属制度向工业特有的审美制度转变的过程。在后一种制度下，公众的感受性不再对应艺术作品，而是更对应审美化的工业商品。\n\n① 塔尔德，《社会逻辑》,第529页。\n\n74","previous_page":73,"next_page":75}