{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","id":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","uuid":"ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title":"审美资本主义：品味的工业化","normalized_title":"审美资本主义品味的工业化","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787567508804","isbns":["9787567508804"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":221,"navigation_url":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","title_url":"https://workshop.closeclaw.top/ai/title/%E5%AE%A1%E7%BE%8E%E8%B5%84%E6%9C%AC%E4%B8%BB%E4%B9%89%EF%BC%9A%E5%93%81%E5%91%B3%E7%9A%84%E5%B7%A5%E4%B8%9A%E5%8C%96","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ef817ee5-07cd-4d04-b5aa-20e07a77acc2","page_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ef817ee5-07cd-4d04-b5aa-20e07a77acc2/search"},"page":{"printed_page":76,"pdf_page":83,"physical_index":83,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"00fd8ec15dd9fcc2853beced9bbe36f15d1e53aa7d226b9bd0c2c74625ddf186"},"chapter":"审美资本主义","content":"创造在艺术中、在纯粹的自我表达中充分发展，从原则上避免一切对过往的重复。甚至，正是艺术界定创造本身的差异。艺术脱离了重复性、相似性以及心理特征的可测量度，从而获得质量的独特性，即差异性。另一方面，创造在工业中的中心地位取决于与公众的情感和感官自由相符合的额外财富的创造。有两种类型的创造特别突出：第一种创造指以画面和感官的新的结合方式所创造出的产品，另一种工业创造则确保这种创造的大范围传播。第二种创造使其范围波及所有人，由此产生的完全是对物品的欲望。诚然，经济的财富生产内部系统中包含创新，但是创造本身被视为一种与经济无关的“外部性”。然而，它的根源并不是纯粹经济性的:创造与个体间的协作并非源于工业，它的起源既是道德性、政治性、军事性、司法性的，同时也是审美性的。\n\n只有信仰、欲望与感觉的流动能够有助于对财富生产的理解。因为，一件物品或一项服务的用途既激发信心也激发安全感，也就是说通过降低人们的担忧程度，给人们更多的闲暇以从容地展望未来。物品的用途无关于功能性特点，无须对需求进行罗列，与用途紧密相关的是信仰的强度，这种强度是对物品能够满足某种需求或某种欲望的判断。归根结底，只要创造的工业推广是确实有效的，那在经济意义上，在机械化再生产与在抽象劳动的开展中产生的财富，则不如在创造过程中产生的财富那样多。成为个人欲望的对象，甚至是各种欲望之间竞争的对象，即是抬高了物品的商业价值。在市场上，根据供需关系所生产的价值，少于因欲望间的抗衡或审美评价间的较量所产生的价值。考虑到艺术创造的高级能力，工业理应尽量把握它的增值潜能。\n\n76","previous_page":75,"next_page":77}