{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"f71d9b04-ddb2-437a-992f-5d3e3e0ed3f4","title":"技术与文明","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787112107469","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"f71d9b04-ddb2-437a-992f-5d3e3e0ed3f4","id":"f71d9b04-ddb2-437a-992f-5d3e3e0ed3f4","uuid":"f71d9b04-ddb2-437a-992f-5d3e3e0ed3f4","title":"技术与文明","normalized_title":"技术与文明","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787112107469","isbns":["9787112107469"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":478,"navigation_url":"https://workshop.closeclaw.top/ai/book/f71d9b04-ddb2-437a-992f-5d3e3e0ed3f4","title_url":"https://workshop.closeclaw.top/ai/title/%E6%8A%80%E6%9C%AF%E4%B8%8E%E6%96%87%E6%98%8E","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/f71d9b04-ddb2-437a-992f-5d3e3e0ed3f4/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/f71d9b04-ddb2-437a-992f-5d3e3e0ed3f4/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/f71d9b04-ddb2-437a-992f-5d3e3e0ed3f4","page_url":"https://workshop.closeclaw.top/api/ai/books/f71d9b04-ddb2-437a-992f-5d3e3e0ed3f4/page","search_url":"https://workshop.closeclaw.top/api/ai/books/f71d9b04-ddb2-437a-992f-5d3e3e0ed3f4/search"},"page":{"printed_page":301,"pdf_page":312,"physical_index":312,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"0b7d0ecaab39eedac36308685a37dd26f783df0eb032f406154a43ac3452e0db"},"chapter":"第七章 机器体系的同化","content":"XⅧ感觉的同化作用\n\n1.康斯坦丁·布朗库西(ConstantinBrancusi)的雕塑。作品体现的是艺术的抽象，对材料本身的尊重。同时也充分考虑了作品的尺寸大小，表现了作者的精细的拿捏，给人传递的是一种不含个人情感的审美。参见插图XIV,第2号作品。\n\n[蒙马塞尔·迪尚(Marcel Duchamp)的允许转载于此]\n\n2. 托马斯·H·本顿(Thomas H.Benton）的壁画：钢铁工人。展现了现代产业中震撼人心的要素。作品体现的是日常生产生活中的英雄气概，其震撼力往往超过了战场的炮火硝烟。(蒙新社会研究学院的允许转载于此)\n\n第七章 机器体系的同化\n\n301","previous_page":300,"next_page":302}