{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"fe4bea74-cc49-42f1-b9da-df6f304bda86","title":"诸众的语法 当代生活方式的分析","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787100146678","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"fe4bea74-cc49-42f1-b9da-df6f304bda86","id":"fe4bea74-cc49-42f1-b9da-df6f304bda86","uuid":"fe4bea74-cc49-42f1-b9da-df6f304bda86","title":"诸众的语法 当代生活方式的分析","normalized_title":"诸众的语法当代生活方式的分析","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787100146678","isbns":["9787100146678"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":163,"navigation_url":"https://workshop.closeclaw.top/ai/book/fe4bea74-cc49-42f1-b9da-df6f304bda86","title_url":"https://workshop.closeclaw.top/ai/title/%E8%AF%B8%E4%BC%97%E7%9A%84%E8%AF%AD%E6%B3%95%20%E5%BD%93%E4%BB%A3%E7%94%9F%E6%B4%BB%E6%96%B9%E5%BC%8F%E7%9A%84%E5%88%86%E6%9E%90","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/fe4bea74-cc49-42f1-b9da-df6f304bda86/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/fe4bea74-cc49-42f1-b9da-df6f304bda86/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/fe4bea74-cc49-42f1-b9da-df6f304bda86","page_url":"https://workshop.closeclaw.top/api/ai/books/fe4bea74-cc49-42f1-b9da-df6f304bda86/page","search_url":"https://workshop.closeclaw.top/api/ai/books/fe4bea74-cc49-42f1-b9da-df6f304bda86/search"},"page":{"printed_page":122,"pdf_page":127,"physical_index":127,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"d298cbc17e49809ba4d3f8098c958143d87874d99b0e5d77f77a33ceece2eef8"},"chapter":"诸众的语法","content":"让我们再看看另一个很有意思的类推。对于海德格尔和本雅明这两位来说，那些心怀好奇的人总是分心。他们一会儿探察、一会儿学习、一会儿又尝试各种事情，但都不是专心去做。在这方面两位作者的评价也出现了分歧。海德格尔这方面，认为分心是与好奇心相关联的，是毫无根基的明显证据，是彻底的靠不住。心不在焉的人就是追逐那些总是不同的，但各有可取之处且又可互换的可能性的人（机会主义这个词早先的含义，如果你愿意这么理解)。正相反，本雅明对分心本身赞赏有加，认为可以从中辨识人工复制和技术构建最有效的手段。他写道：“分心[…………]表明一种暗地里的控制，即对新任务在多大程度上能由统觉解决的程度的控制。[………]电影把崇拜价值[对于被认为是独一无二的艺术品的崇拜]斥入后台，这不仅是凭着把公众摆到批评家的位置上[像我们先前谈到的，决定什么是背景，什么是前景]，还凭着这样一个事实，在电影这一位置又全然不需要注意力。大众[或者说诸众就是大众，只要你愿意]就是审查员，但是个心不在焉的审查员。”（参见同上，240—241；引语中方括号内的注释出自维尔诺)\n\n93\n\n122\n\n诸众的语法","previous_page":121,"next_page":123}