{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"fe4bea74-cc49-42f1-b9da-df6f304bda86","title":"诸众的语法 当代生活方式的分析","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787100146678","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"fe4bea74-cc49-42f1-b9da-df6f304bda86","id":"fe4bea74-cc49-42f1-b9da-df6f304bda86","uuid":"fe4bea74-cc49-42f1-b9da-df6f304bda86","title":"诸众的语法 当代生活方式的分析","normalized_title":"诸众的语法当代生活方式的分析","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787100146678","isbns":["9787100146678"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":163,"navigation_url":"https://workshop.closeclaw.top/ai/book/fe4bea74-cc49-42f1-b9da-df6f304bda86","title_url":"https://workshop.closeclaw.top/ai/title/%E8%AF%B8%E4%BC%97%E7%9A%84%E8%AF%AD%E6%B3%95%20%E5%BD%93%E4%BB%A3%E7%94%9F%E6%B4%BB%E6%96%B9%E5%BC%8F%E7%9A%84%E5%88%86%E6%9E%90","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/fe4bea74-cc49-42f1-b9da-df6f304bda86/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/fe4bea74-cc49-42f1-b9da-df6f304bda86/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/fe4bea74-cc49-42f1-b9da-df6f304bda86","page_url":"https://workshop.closeclaw.top/api/ai/books/fe4bea74-cc49-42f1-b9da-df6f304bda86/page","search_url":"https://workshop.closeclaw.top/api/ai/books/fe4bea74-cc49-42f1-b9da-df6f304bda86/search"},"page":{"printed_page":62,"pdf_page":67,"physical_index":67,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"4f646c6bcc5cc5caab4b22a19b3c366567b0b97e58b78ca529556b514fd2be70"},"chapter":"诸众的语法","content":"关于精湛才艺:从亚里士多德到格伦·古尔德\n\n公共行动能被纳入劳动过程，以前是通过一种不容置疑的面相为公共行动做担保，虽则古老，但不失有效，这种面相归类于：精湛才艺(virtuosity)。\n\n现在这里使用这个词的通常含义，我用“精湛才艺”来指表演艺术家的特殊才能。艺术大师，例如，为我们演奏令人难忘的舒伯特作品的钢琴家，或者技艺娴熟的舞蹈家、雄辩服众的演说家、从不令人生厌的教师、能做迷人布道的神父。请仔细考虑一下，对艺术大师的活动下个什么样的定义。首先，他们的活动是一种成就感（活动本身的目的)蕴藏于活动本身的活动，没有将这种活动本身客观化成终端产品，没有成为“制成品”，没有变成能保存表演的客体。其次，是一种需要别人在场的行动，只有在观众面前，这种活动才存在。\n\n没有终端产品的活动：钢琴家或舞蹈家的表演不给我们留下可以从表演本身区别开来、表演结束后可持续下去的已界定的对象。需要他人在场的活动：只有被人看到或听到，表演（performance)[这里，“表演”一词作者使用英语]才有意义。显然，这两个特征是互相关联的：艺术大师需要观众在场，正是因为他们不生产终端产品、一旦活动停止后仍能在世上流传的物体。缺乏具体的外在产品，艺术大师必须依靠目击者。\n\n062\n\n诸众的语法","previous_page":61,"next_page":63}