{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"fe4bea74-cc49-42f1-b9da-df6f304bda86","title":"诸众的语法 当代生活方式的分析","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787100146678","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"fe4bea74-cc49-42f1-b9da-df6f304bda86","id":"fe4bea74-cc49-42f1-b9da-df6f304bda86","uuid":"fe4bea74-cc49-42f1-b9da-df6f304bda86","title":"诸众的语法 当代生活方式的分析","normalized_title":"诸众的语法当代生活方式的分析","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787100146678","isbns":["9787100146678"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":163,"navigation_url":"https://workshop.closeclaw.top/ai/book/fe4bea74-cc49-42f1-b9da-df6f304bda86","title_url":"https://workshop.closeclaw.top/ai/title/%E8%AF%B8%E4%BC%97%E7%9A%84%E8%AF%AD%E6%B3%95%20%E5%BD%93%E4%BB%A3%E7%94%9F%E6%B4%BB%E6%96%B9%E5%BC%8F%E7%9A%84%E5%88%86%E6%9E%90","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/fe4bea74-cc49-42f1-b9da-df6f304bda86/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/fe4bea74-cc49-42f1-b9da-df6f304bda86/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/fe4bea74-cc49-42f1-b9da-df6f304bda86","page_url":"https://workshop.closeclaw.top/api/ai/books/fe4bea74-cc49-42f1-b9da-df6f304bda86/page","search_url":"https://workshop.closeclaw.top/api/ai/books/fe4bea74-cc49-42f1-b9da-df6f304bda86/search"},"page":{"printed_page":63,"pdf_page":68,"physical_index":68,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f5d8a6b2f7577834d67c5305c7f89f10984be1b4cfaf05df9b0831deb13ba35e"},"chapter":"诸众的语法","content":"“精湛才艺”的范畴在《尼各马可伦理学》中论及；即使在20世纪，它在现代政治思想里还到处可见，它甚至在马克思的政治经济学批判中也留有一席之地。亚里士多德在《尼各马可伦理学》中恰恰是利用精湛才艺的概念来区别劳动（或创制）与政治行动（或实践）：当我们制造出一件物品时我们是在劳动，作品与行动可以分离开来；当我们行动的目的存在于行动本身时我们是在实践。亚里士多德写道：“因为创制的结束非其本身以外的结束，而行动并非如此：良好的行动[理解成伦理行为和政治活动，维尔诺补充]结束本身就是其结束。”(《尼各马可伦理学》伦理，VI，1140b）汉娜·阿伦特含蓄地重启了亚里士多德的观念，她将表演艺术家、艺术大师与那些从事政治活动的人相比。她写道：“表演艺术[………]确实跟政治有着更密切的关联。表演艺术家—舞蹈家、演奏家、音乐家等—有了观众才能展示他们的精湛才艺，正像演员需要他人在场才能登台表演；两者的工作’都需要一个公开组织的空间，并且两者的表演本身又都取决于他人在场。”[阿伦特，《过去和未来之间》(Between Past andFuture) : 154]\n\n可以说，每个政治行动都是行家里手的。事实上，每个政治行动都与精湛才艺共享意外可能性，都没有“终端产品”，都需要直接的、不可或缺的他人在场。一方面，所有艺术家在本质上都是政治的。请想一想格伦·古尔德（GlennGould)这个例子[古尔德的《格伦·古尔德的读者》(The\n\n第二天：劳动，行动，智力\n\n063","previous_page":62,"next_page":64}