--- schema_version: "library-reader-v1" source_type: "original_book" title: "Bodies in code interfaces with digital media" author: null edition: null publisher: null year: null isbn: "0415970164" library_document_id: "4f7053d9-6508-49c8-9dd8-ec4dc5dadd53" source_sha256: "c7dd782315f0582c703a8695595091b9a2eede19efc8ae2390ddcfd3c4e4b70c" pdf_physical_page_count: 348 pdf_physical_page_index_base: 0 range_start: 0 range_count: 10 html_url: "https://workshop.closeclaw.top/api/ai/read/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53?start=0&limit=10" markdown_url: "https://workshop.closeclaw.top/api/ai/read/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53.md?start=0&limit=10" next_url: "https://workshop.closeclaw.top/api/ai/read/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53.md?start=10&limit=10" --- # Bodies in code interfaces with digital media > 页码规则：PDF_PHYSICAL_PAGE_INDEX 是从 0 开始的权威文件物理页索引；PRINTED_PAGE 是页面中识别出的印刷页码，可能为空，二者不得混用。 ## PDF_PHYSICAL_PAGE_INDEX=0 | PRINTED_PAGE=NOT_DETECTED mark b. n. hansen ## PDF_PHYSICAL_PAGE_INDEX=1 | PRINTED_PAGE=NOT_DETECTED ## PDF_PHYSICAL_PAGE_INDEX=2 | PRINTED_PAGE=NOT_DETECTED bodies in code ## PDF_PHYSICAL_PAGE_INDEX=3 | PRINTED_PAGE=NOT_DETECTED ## PDF_PHYSICAL_PAGE_INDEX=4 | PRINTED_PAGE=NOT_DETECTED bodies in code interfaces with digital media mark b. n. hansen Routledge York London Routledge is an imprint of the Taylor & Francis Group, an informa business ## PDF_PHYSICAL_PAGE_INDEX=5 | PRINTED_PAGE=NOT_DETECTED Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Taylor & Francis Group, LLC Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid-free paper 10987654321 International Standard Book Number-10: 0-415-97016-4 (Softcover) 0-415-97015-6 (Hardcover) International Standard Book Number-13: 978-0-415-97016-7 (Softcover) 978-0-415-97015-0 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Visit the Taylor & Francis Web site at http://www.taylorandfrancis.com and the Routledge Web site at http://www.routledge-ny.com ## PDF_PHYSICAL_PAGE_INDEX=6 | PRINTED_PAGE=V contents The Author vii Preface ix Introduction: From the Image to the Power of Imaging: Virtual Reality and the "Originary" Specularity of Embodiment 1. All Reality Is Mixed Reality 2. The Power of Imaging and the Privilege of the Operational 6 3. Virtual Reality as Embodied Power of Imaging 14 Part I: Toward a Technics of the Flesh 23 Bodies in Code, or How Primordial Tactility Introjects Technics into Human Life 25 1. "Make Use of What Nature Has Given Us!" 25 2. Body Schema As Potentiality 38 3. Technics and the Dissolution of the Body Image 43 4. Specularity beyond the Mirror-Image 53 5. All Exteriorizations Are Exteriorizations of the Skin 59 6. Primordial Tactility 67 7. Seeing through the Hand 71 8. Worldskin 82 9. The Tele-Absent Body 94 Part II: Locating the Virtual in Contemporary Culture 105 2 Embodying Virtual Reality: Tactility and Self-Movement in the Work of Char Davies 107 1. The Primacy of Self-Movement in Conferring Reality on Perception 113 2. Beyond the Body-Image: Embodying Psychasthenia 126 3 Digitizing the Racialized Body, or the Politics of Common Impropriety 139 1. Beyond Symbolic Interpellation: Understanding Digital Performativity 142 2. Beyond Visibility: the Generalization of Passing 145 3."Corporeal Malediction" and the "Racial-Epidermal Schema" 147 4. From Negrophobia to Negrophilia 156 5. Mobilizing Affectivity beyond the Image 163 6. Forging the Affection-Body 168 4 Wearable Space 175 1. Encountering the Blur 178 2. The Architectural Body 183 3. The "Interiority" of Architecture 191 4. Internal Resonance 197 5. A New Organicism 199 6. Wearing the Blur 210 5 The Digital Topography of House of Leaves 221 1. The Digital 229 2. Media 232 3. Body 238 Notes 253 References 299 Bibliography 309 Index 319 V ## PDF_PHYSICAL_PAGE_INDEX=7 | PRINTED_PAGE=vi BODIES IN CODE vi ## PDF_PHYSICAL_PAGE_INDEX=8 | PRINTED_PAGE=vii the author Mark B. N. Hansen teaches cultural theory and comparative media studies in the English department and is on the Committee for Cinema and Media Studies at the University of Chicago. He is author of Embodying Technesis: Technology beyond Writing (Michigan 2000) and New Philosophy for New Media (MIT 2004), as well as numerous essays on cultural theory, contemporary literature, and media. His essay, "The Time of Affect, or Bearing Witness to Life" appeared in Critical Inquiry in Spring, 2004. He has coedited (with Taylor Carman) The Cambridge Companion to Merleau-Ponty and is currently coediting two volumes: Critical Terms for Media Studies (with W. J. T. Mitchell) and Neocybernetic Emergence (with Bruce Clarke). His current projects include: The Politics of Presencing, a study of embodied human agency in the context of real-time media and computing, Becoming Human, an ethics of the posthuman, and Fiction after Television, a study of the novel in the age of digital convergence. vii ## PDF_PHYSICAL_PAGE_INDEX=9 | PRINTED_PAGE=NOT_DETECTED 下一段：[继续读取](https://workshop.closeclaw.top/api/ai/read/4f7053d9-6508-49c8-9dd8-ec4dc5dadd53.md?start=10&limit=10)