Architecture, parameter-driven design tech
niques, 229
Aronoff Center (Eisenman), 208
Ars Electronica, 88
Artificial Reality 2 (Krueger), 29
“Artificial reality" 3, 4, 27, 31, 45, 117
Aural, see “hearing"
Autonomy of architecture, 177
Autonomy, of the architectural sign, 210
Autopoiesis, 12, 13, 39, 41, 93, 198
Bach y Rita, Paul, 3
Barbaras, Renaud, 72, 73
“Bare life” (Agamben), 155
Barrière, Jean-Baptiste, 88
Barthes, Roland, 227, 228, 241
Baudrillard, Jean, 37
Being of the Phenomenon, The (Barbaras), 72
Being-with, 21, 58
Benayoun, Maurice, 88, 90, 93, 94
Benjamin, Walter, 8
Bergson, Henri, 50, 123, 185
Bergson, criticism of the “cinematic illusion," 4
Bergson, on affection, 123, 185
Betsky, Aaron, 218
Bick, Esther, 59-63
Bick, on the “muscular shell," 63
Bick, on the “second muscular skin," 62
Bick, on the “second-skin formation," 62
Biocca, Frank, 113
Black body, as corporeal remainder of the biological, 155
Black Skin, White Masks (Fanon), 149-156
Blackface, 145
Blind man's stick (Merleau-Ponty), 43, 44, 47,134
Blindspot (Hawkinson), 9-12, 19
Blur Building (Diller + Scofidio), 178-183, 212, 217-220
Bodily excess, see “Excess, of the body’
Bodily life, see “Embodiment"
Bodily motility, see “Motility”
Body ego (Freud), 133
Body image, 14, 15, 18, 20, 37, 28, 40, 41, 43, 49-53, 56, 57, 67, 100-102, 112, 127- 130, 133, 134, 151, 152, 169
Body image, as cultural image, 15
Body image, static versus “on-line," 133
Body Movies—Relational Architecture 6 (Lozano-Hemmer), 100, 101, 102
Body schema, 20, 21, 26, 38-45, 47-53, 55, 58, 59, 62, 66, 67, 82, 83, 87, 88, 112, 133, 134, 141, 149-153
Body schema, as distinguished from body image, 20, 38, 39, 40, 48, 51, 52
Body schema, commonality of, 57, 58
Body schema, correlation with the flesh, 54
Body schema, privileged over visual image of
body, 55
Body schema, reduction to body image, 152
Body schema, technical deployment of, 52
Body schema, technical fusion with image,
49,50
"Body without an image" (Massumi), 41
Body, abjection of, 147
Body, as “spatializer of space," 43, 135, 191
Body, as convertor of force into affect, 190,
196,209,210
Body, as first medium, 15
Body, as imaging potential, 186, 189
Body, as source for spatiality of space, 190, 199
Body, as supplement to recording, 241
Body, constitutive coupling with the social, 13
Body, correlation with space, 191
Body, différance of, 246
Body, dynamic coupling with space, 134, 135
Body, excess of, 39, 149, 169, 170, 173
Body, instrumentalization of, 15
Body, interface with environment, 26
Body, longitudinal indetermination of, 199,
209
Body, outside the image, 143
Body, recursivity with text, 251
“Body-in-code," 20, 21, 38, 49, 96, 110, 111,
118, 123, 136, 148, 177, 178, 195,
223, 224, 228, 251, 252
Bodymaps: artifacts of touch (Schiphorst),
64-67
Borges, Jorge-Luis, 246, 249, 251
Brouwer, Joke, 102
Butler, Judith, 13, 56, 146, 152, 153
“Ça a été" (Barthes), 227, 228
Cache, Bernard, 176, 185, 210
Cache, on the privilege of architectural image,
176
Caillois, Roger, 127, 130, 131-135
Caillois, on mimicry, 127
Caillois, on psychasthenia and technics, 132
Calvino, Italo, 229
Camera Lucida (Barthes), 227
Cameron, Andy, 32, 33, 37
Campbell, Jeremy, 114, 115
Castoriadis, Cornelius, 223
Caught Like a Nigger in Cyberspace (Piper),
163-168
CAVE (computer-assisted virtual environ
ment), 45, 49, 88, 91
Character, role in House of Leaves, 235
Chiasm, 71, 75
"Child's Relation to Others, The” (Merleau-
Ponty), 54, 77
Cinema, 4, 227, 230
Code, 37, 38
INDEX
320